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  • Audeze LCD2-L-RW-TC rosewood

    Audeze LCD2-L-RW-TC rosewood

    The Original The LCD-2 is our original “game-changing” headphone and the one that propelled us into a world of rave reviews. Beautiful Sound The LCD-2 is the most forgiving of the LCD Collection due to a magnetic structure that provides extremely low distortion. Fast and dynamic with terrific bass, the midrange - where music lives - is superb as are the golden highs. Our proprietary technology eliminates breakup modes found in other designs and improves clarity. Focus and Frequency Extension Patent-pending Fazor elements guide and manage the flow of sound in the headphone for improved focus, greater frequency extension top and bottom and remarkable 3D holographic imaging. The LCD-2 must be driven by an external headphone amplifier or integrated amp. Available in Rosewood and Rosewood Leather Free Learn More

  • Gingko Audio, Inc. VPI Prime table top cover,

  • Audeze The King - Bascom King design Amp 110 volt and 220 volt

    Audeze The King - Bascom King design Amp 110 volt and 220 volt

    The King The King Headphone It began when the Audeze team met the legendary electronics designer Bascom King in his design lab. Bascom has designed acclaimed amplifiers for Infinity, Marantz, Constellation Audio, PS Audio and others. He demoed a prototype headphone amplifier that so impressed everyone that they signed Bascom on the spot to develop the new headphone amplifier exclusively for Audeze. The King’s circuitry is very different from the typical complementary output topology; it uses the same polarity N-channel MOSFET outputs as these are more alike and complementary than N- and P-channel MOSFETs. Just before the output stage is a two-stage differential amplifier using a dual-triode tube for the input stage followed by a P-channel MOSFET differential driver stage. The driver stage supplies complementary drive to the N-channel output devices. Overall negative feedback is taken back to the input stage to include the input triode in the feedback loop. The circuit is DC-coupled from input to output and a servo control circuit keeps the output DC offset to within millivolts of zero. The overall symmetry of the circuitry eliminates most even-order harmonic distortion. The result is a low impedance, low distortion, wide frequency response output with immense musical transparency, a real emotional experience. Learn More

  • Audeze Deckard Amplifier/DAC, Silver, 220VAC, 50Hz

    Audeze Deckard Amplifier/DAC, Silver, 220VAC, 50Hz

    DECKARD A powerhouse of a headphone amplifier combined with a high-performance DAC, the Deckard drives any headphone with power to spare. The DAC has impressive specs and handles 16 to 32-bits and sampling rates from 44.1kHz to 384kHz. There’s a volume control and front-panel switches to choose gain and input so you can also use the Deckard as a great line-level preamp. The sound is exciting and dynamic with beautifully rendered tonal colors that make music come alive. AVAILABLE IN 220VAC , 110VAC AND 110VAC JAPAN Learn More

  • Audeze EL8 Titanium w/Lightning cable, closed back only. Cable includes DAC and headphone amp USA/Canada

    Audeze EL8 Titanium w/Lightning cable, closed back only. Cable includes DAC and headphone amp USA/Canada

    EL-8 Titanium Headphones provide stunning 24-bit audio for music and voice The EL-8 Titanium headphones come with an exclusive lightning cable that streams a complete 24-bit digital signal through a high quality DSP and DAC to offer better sound quality. The built in microphone can be used for phone calls and is SIRI compatible. An accompanying Audeze app can be used to apply EQ and sound presets. For non- Apple device compatibility, the headphones also include a standard analog cable. Audeze Technology The 100mm planar magnetic driver has the largest surface area of any headphone in its class. They’re easy to drive with Audeze’s exclusive Fluxor Magnetic technology, nano-scale diaphragms, and advanced voice-coil technology that allows a wide variety of portable players and headphone amps to immerse you in sound. The EL-8 Titanium comes with the Cipher cable that greatly extends its capabilities. Listen to music, interact with Siri, and make or take phone calls on your Apple device. Try Audeze Headphones for 30 Days Risk Free Audeze now offers a 30-day return policy at no extra charge. The customer is responsible for paying the return freight to Audeze using a shipping method with tracking numbers. We offer free shipping on ALL orders of new, direct-sale products including cables and accessories, to customers in the USA; including HAWAII and ALASKA. If you purchase from outside the USA, your warranty service, if needed, must be done in the USA. Buy your Audeze headphone today and in the unlikely event you want to return them, do so within 30 days with no penalty. Learn More

  • Audeze EL8 Black Closed, NA (non-Apple)

    Audeze EL8 Black Closed, NA (non-Apple)

    EL-8 Closed-Back Headphone The closed-back EL-8 offers all the benefits of the open-back EL-8 — flexible, lightweight and loaded with new technology — while isolating the listener and reducing ambient noise as no sound escapes the earcups. The EL-8 closed-back is also sensitive enough to be driven directly by portable players and smartphones, but an external amplifier produces better results. They're built with superb craftsmanship, wood veneer accents and enormous attention to detail. Untitled 1 Learn More

  • Audeze LCD4 Cocobolo w/travel case

    Audeze LCD4 Cocobolo w/travel case

    The LCD-4, Audeze’s new reference headphone, is the result of dedicated research and development and advancements in materials science. It features our amazingly thin nano-grade diaphragms and unique Double Fluxor magnet arrays for the most powerful magnetic flux density in existence, an incredible 1.5 Tesla! It also features a new comfortable suspension-type carbon fiber and leather headband and delivers breathtaking high resolution sound, imaging and transparency, with exciting dynamics. It sounds incredibly open in the midrange and treble, and coupled with Audeze’s powerful bass removes the boundaries between artist and listener. It outperforms any other in its class like electrostatics or dynamic driver headphones. The LCD-4 is the most advanced planar magnetic technology to date. Learn More

  • Audeze LCD3-L-ZW-TC

    Audeze LCD3-L-ZW-TC

    Our flagship headphone has been called the best in the world. At the pinnacle of our LCD Collection, the LCD-3 delivers the highest resolution music experience of all our headphones. It’s sound is always musical, spacious, ultra-realistic, with powerful bass, a rich and engaging midrange, and a top end that pulls you into the music. For the best results Audeze recommends pairing the LCD-3 with a high quality external headphone amplifier. AVAILABLE IN LEATHER AND LEATHER FREE Learn More

  • Audeze LCD-XC, BR, BC, TC BOCOTE

    Audeze LCD-XC, BR, BC, TC BOCOTE

    The closed-back LCD-XC was created based on our core customers’ feedback. It delivers all the benefits of the LCD-X while isolating the listener and reducing ambient noise for a private listening experience, a significant achievement due to the inherent challenges of enclosing our planar transducers. The LCD-XC is the finest closed-back planar available, sensitive enough to be driven directly by portable players and mobile devices, but a high quality external amplifier produces better sonic results. AVAILABLE LEATHER AND LEATHER FREE Learn More

  • Audeze LCD-XC, BL, BB, TC bubinga

    Audeze LCD-XC, BL, BB, TC bubinga

    Audeze LCDXC BL-BB-TC Bubinga Headphones What do most of the best headphones in the world have in common? They usually feature an open-back design — favored for its spacious sound. But open headphones aren't practical if you're listening in noisy environments or don't want sound to leak out and disturb others. That's why Audeze developed the LCD-XC headphones. These headphones feature closed-back wood earcups, which ensure warm, natural sound while keeping out external noise. You can enjoy the fine detail, easy responsiveness, and extended frequency range of Audeze's planar magnetic headphones in environments that are ill-suited to open designs. ALSO AVAILABLE BUBINGA LEATHER FREE Learn More

  • Audeze LCD-X, BL, TC

    Audeze LCD-X, BL, TC

    The LCD-X is an extremely efficient headphone that extracts the maximum power out of low-powered amplifiers and portable devices. It's also the most neutral of all the LCD Collection, explaining its popularity with audiophiles, recording engineers and musicians alike, for its clarity and fast, accurate dynamics. The X is sensitive enough to be driven directly by portable players and smartphones but an external amplifier produces better results. Also available leather free Learn More

  • Gingko Audio HRX Plinth Top

  • AUDEZE LCD2--L-B-TC Shedua

    AUDEZE LCD2--L-B-TC Shedua

    LCD-2 Headphone The LCD-2 is the legendary headphone that made Audeze an industry leader. Continuous evolution and the addition of Fazor technology have enhanced its transparency and overall performance. Known for their tight, extended bass response, smooth, inviting midrange, and warm high frequencies, the LCD-2 headphones offer a listening experience that makes believers out of even casual music listeners. For the best performance The LCD-2 requires an external headphone amplifier. Learn More

  • Audeze LCD2-L-B-TC bamboo wood

    Audeze LCD2-L-B-TC bamboo wood

    Audeze LCD-2 - High Performance Planar Magnetic Headphone With Ruggedized Travel Case (Bamboo, Lambskin Leather) Availble in Bamboo Wood , Shedua, Bamboo Leather Free, Shedua Leather Free Learn More

  • PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier  FREE SHIP!

    PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier FREE SHIP!

    PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier Only one silver and two black left as of 4/26/21 he Gain Cell DAC will transform your expectations of what’s possible in an under $2,000 DAC. Based on an improved version of our NuWave DSD, the performance of the Gain Cell DAC is unparalleled in this price category, or anywhere near. The Gain Cell DAC produces a seamless 3D soundstage from even normal CDs. Labored over by its chief architect, Bob Stadtherr, and hand-tuned and voiced by Paul McGowan and Darren Myers, the improvement in sound quality over other DACs is astonishing. The Gain Cell DAC accepts inputs from any digital source including I²S and USB from your computer and outputs directly through Stellar’s analog Gain Cell preamplifier with either single ended (RCA) or balanced (XLR) connections. Used with music server software like JRiver, Bit Perfect, Amarra or Pure Music and an iPhone or Android app, the Gain Cell DAC becomes your entry into the world of high-end digital audio music, both PCM and DSD. Performance is superb at anywhere near the price and there are good reasons why, as you’ll soon discover. In fact, the Gain Cell DAC is one of the best sounding products we have produced in our 24 years of building DACs. Sweet, spacious and effortless, this device will bring the life back into your music and all at the touch of a finger. Digital Lens inside All input signals are taken into the Gain Cell DAC in Native Mode, without Sample Rate Conversion (SRC) and fed directly into a simplified FPGA known as a CPLD (Complex Programmable Logic Device), which discovers sample rate and format, reclocks all incoming data, reduces jitter, waveshapes data output to the DAC chip, and utilizes high speed/low gate count logic to reduce propagation delay for faster throughput. This proprietary technology is called the Digital Lens. The DAC chip itself is the acclaimed 32-bit ESS Sabre Hyperstream architecture, the output of which is passively filtered to reduce transient distortion. the Gain Cell DAC’s power supply includes a large analog transformer, 7 regulators, properly-bypassed high-speed switching diodes, and a massive 15,000 mFd of storage capacitance. The output stage is a unique Class-A configuration, fully balanced and direct coupled hybrid array (utilizing both discrete semiconductors and ICs), with an extended bandwidth of -3dB at 60 kHz feeding directly into Stellar’s Gain Cell. Asynchronous USB for PCM and DSD The Gain Cell DAC features a high-resolution USB path based on the same XMOS technology found in our DirectStream DAC. Asynchronous and capable of 24-bit 192kHz performance for PCM and single or double rate DSD, the Gain Cell DAC USB input sounds every bit as good as the best digital audio is capable of. Using a high-quality USB cable between the Gain Cell DAC and your computer creates an instant media server that can be controlled through any number of handheld devices like an iPad, iPhone or Android using a 3rd party controller program. Your entire music library can be managed by iTunes, JRiver, MConnect, Windows Media Player, Foobar, Pure Music, Bit Perfect, Media Monkey, Audirvana, or Ammara (to name a few) for ease of use. If you have yet to experience the pleasure of scrolling through your entire music library and selecting the next track at the touch of a finger, you’re in for a quite a treat. With the Gain Cell DAC and a USB cable you can stream both PCM and DSD high-resolution audio, using nothing more than your computer and a handheld device to control and play your entire music library. I²S input Gain-Cell-DAC-rear-verticalI²S is the native format of all CD transports and many servers. I²S features a separate clock and data signal from the source. Typically, this clock and data signal are multiplexed together to be transmitted over a single cable in a format known as S/PDIF (Sony Philips Digital Interface), or AES/EBU (Audio Engineering Society/European Broadcast Union). Once received in multiplexed form, the DAC input must untangle the clock and data and once again separate them. I²S solves the problems associated with unraveling data of S/PDIF and AES/EBU formats. I²S outputs are sent via an HDMI cable and sources with I²S outputs can be purchased from PS Audio as well as other manufacturers. The Gain Cell DACs I²S inputs are also compatible with our DirectStream Transport. What this means is important. The DirectStream Transport is one of only a very few players to output pure DSD from the locked SACD layer of SACD discs. Only PS Audio DACs, such as DirectStream and DirectStream Junior—and now Stellar—are authorized to play the pure DSD layer in all of its glory. Choice of digital filters The Stellar Gain Cell DAC offers the choice of three digital filters for users to select from. Each digital filter has a different sonic character and the choice of filters offers an excellent means of improving system synergy. No filter choice is wrong or right. Instead, each filter can be selected and auditioned by the user to more perfectly match their chosen collection of the amplifier, source, and loudspeaker, as well as personal tastes and biases. Users can relax and use the supplied remote control to audition each of the three filter choices for best audio quality matching the system it is played on. Should users upgrade their amplifier, speaker or sources at some point, Stellar is there to help maximize performance. Active vs. passive filtering Once the digital audio data have been processed through the Gain Cell DAC’s ESS Hyperstream 32 bit DAC, it’s time to turn them into music and this is the job of the analog filter and output stage. Most DACs use an active filtering system to clean up the output of the internal DAC but this can add a harsh, bright sound to the music. In the Gain Cell DAC, we use all passive analog filtering giving our output a sweet, open sound unencumbered with harsh digital artifacts. The challenge of the Gain Cell DAC’s design The real challenge designing the Gain Cell DAC was making sure both PCM and DSD were handled in a way that sacrificed as little as possible through the playback process. Entry level DACs that accept both PCM and DSD typically favor one format over another when it comes to voicing the device. The two designers of the Gain Cell DAC, chief engineer Bob Stadtherr and CEO Paul McGowan, worked together for nearly a year making decisions on power supplies, overall architecture, developing a custom, simplified FPGA for the input stage and voicing the output stage in a balanced and musical manner that honors both PCM and DSD formats. The first choice was easy. Both Stadtherr and McGowan chose the ESS line of Hyperstream 32 architectures for the chip’s unrivaled sound quality. Important to both designers would be bringing as much musical detail as possible out of Red Book CDs, and reducing the sonic gap between 44.1kHz/16 bit performance and high-resolution PCM and DSD. Lessons learned from years of building DACs aided design decisions critical to the mission of few musical compromises. We believe that one audition of a simple CD, played through the Gain Cell DAC, will open your eyes to the magic these design efforts have brought. And once you hear what the Gain Cell DAC does on ordinary CDs, we can’t wait for you to hear what the Gain Cell DAC can do for higher resolution PCM and DSD. Learn More

  • Convergent Audio Technology JL5 Amorphous Core / BLACK PATH EDITION

  • Convergent Audio Technology The Statement / BLACK PATH EDITION Mono amp

  • Convergent Audio Technology JL2 Ultimate/ BLACK PATH EDITION Stereo Amplifier

    Convergent Audio Technology JL2 Ultimate/ BLACK PATH EDITION Stereo Amplifier

    Convergent Audio Technology JL2 Tube Amplifier This is a wonderful, beautiful, sweet-sounding tube amplifier with cojones! I've used in on my Avalon Eidelon Diamonds with great success. It is musical and delicate, rich without being euphonic Learn More

  • Convergent Audio Technology SL1L Legend/ BLACK PATH EDITION w/o Phono

    Convergent Audio Technology SL1L Legend/ BLACK PATH EDITION w/o Phono

    The SL1 Legend takes this uncompromising approach further than the product with which Ken literally started the company, the SL1 preamp, now in its Renaissance version. The two use essentially the same circuit, but in the case of the Legend that circuit is taken to the extreme -- it's a cost-no-object implementation. On the outside, the two look nearly identical, but there are a couple of notable differences. Chief among these is the use of dual volume controls in the Legend instead of separate volume and balance. Both preamps use stepped volume controls, essentially a set of resistors for each setting, but the Legend's 46-position shunt volume controls are more costly than those used for the standard SL1, whose fewer positions cause issues for some owners, as the perfect volume setting can sometimes lie between two "clicks." Not with the Legend; 46 positions should be enough for even the pickiest listeners. This item is without phono Learn More

  • Convergent Audio Technology SL1 Legend/ BLACK PATH EDITION with Phono

    Convergent Audio Technology SL1 Legend/ BLACK PATH EDITION with Phono

    The SL1 Legend takes this uncompromising approach further than the product with which Ken literally started the company, the SL1 preamp, now in its Renaissance version. The two use essentially the same circuit, but in the case of the Legend that circuit is taken to the extreme -- it's a cost-no-object implementation. On the outside, the two look nearly identical, but there are a couple of notable differences. Chief among these is the use of dual volume controls in the Legend instead of separate volume and balance. Both preamps use stepped volume controls, essentially a set of resistors for each setting, but the Legend's 46-position shunt volume controls are more costly than those used for the standard SL1, whose fewer positions cause issues for some owners, as the perfect volume setting can sometimes lie between two "clicks." Not with the Legend; 46 positions should be enough for even the pickiest listeners. Learn More

  • Ensemble Primadonna Gold

    Ensemble Primadonna Gold

    Ensemble Primadonna Gold inquire for freight options Learn More

  • Conrad Johnson ET6 with phono stage, vacuum-tube

    Conrad Johnson ET6 with phono stage, vacuum-tube

    For vinyl enthusiasts, the ET6 is optionally available with a vacuum-tube phono stage that borrows its zero-feedback audio circuit from our reference quality TEA1-S3 phono stage. Customers can choose between high gain (recommended for cartridges with a rated output of 1.0 mV or less) and low gain (recommended for cartridges with rated output greater than 1.0 mV) versions of the phono stage. Input resistive loading is switch selectable over a range from 47 kOhms down to 200 Ohms. The ET6 phono stage is built to the same high quality standard found in the ET6 line-stage. ET6 Optional Phono Stage•High Gain Version 54dB •Low Gain Version 40dB •RIAA Equalization: +/- .25 db 20Hz to 20kHz •Hum and Noise: -80dB relative to 10mV input •Phase: phase correct •Tube Compliment: High Gain Version 3x 12AX7 Low Gain Version 2x 12AX7, 1x 12AU7 Learn More

  • Conrad Johnson ART300 - 300w mono, vacuum-tube, each inquire for special price

    Conrad Johnson ART300 - 300w mono, vacuum-tube, each inquire for special price

    We have a new pair at the factory fully paid for. Inquire at 888850436 The ART 300 Amplifier draws on four decades of research at conrad-johnson into the reproduction of recorded music. The result is a power amplifier with a remarkable ability to recreate the dynamics, textures, tonalities, and ambience of live musical performances. With the ART 300 Amplifier, we believe that you will experience the excitement of discovery in hearing more from your favorite recordings than ever before. At conrad-johnson, we expect our products to be a source of satisfaction and of pride to their owners for many years to come. Accordingly, circuit designs, parts and materials for all conradjohnson products are selected with a view to maintaining optimal performance over the years. Our reputation for producing among the industry's most reliable components is a natural consequence of this engineering approach. Although operation of the ART 300 Amplifier is quite straightforward, please take a few minutes to read this manual for useful information on its installation and operation. Mono amplifiers sold in pairs only. $ 18500 each Learn More

  • Conrad Johnson ART150 Stereo Amplifier - 150w/ch vacuum-tube

    Conrad Johnson ART150 Stereo Amplifier - 150w/ch vacuum-tube

    ART150 , light use, like new with packing $22000 retail We are CJ dealers In celebration of our 40th anniversary, conrad-johnson has introduced two new ART amplifiers: the ART150 stereo amplifier and ART300 mono-block amplifier. These amplifiers are designed for our own reference use as well as for industry professionals and dedicated audiophiles. As with previous anniversary products, these amplifiers will be offered as limited editions, with just 250 units of the ART150 and 125 pairs of the ART300 to be sold through selected conrad-johnson dealers and distributors. https://conradjohnson.com/wp-content/uploads/2018/01/conrad-johnson-ART150-amplifier-owners-manual-rev0122_2018.pdf Learn More

  • Conrad Johnson Classic 120SE - 125w/ch stereo, vacuum-tube

    Conrad Johnson Classic 120SE - 125w/ch stereo, vacuum-tube

    This is the awesome Conrad Johnson Classic 120SE Stereo Power Amplifier. At 125 watts per channel it can drive almost any speaker load available. This unit contains the CJD Teflon Capacitors and Vischay Resistors. This is the best sounding CJ Tube amp to date except for the ART150. It is loaded with detail, has great dynamic range, super tonal balance, a rock solid image, and is very quiet. Specifications: Classic One-Twenty SE (CL120): Power: CL62 & 62SE: 60 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 16 ohm loads) 125 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 8 or 16 Ohm loads) S Sensitivity: 120SE: 0.9V rms to rated power Frequency Response (at 10 Watts): 20 Hz to 20 kHz, +/- .3 dB Hum and Noise: 96 dB below rated power Phase phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 8 x KT120 Dimensions: 18.88D x 19W x 7.63H inches Weight: 75 lb. net, 104 lbs shipping weigh Learn More

  • Conrad Johnson Classic 62SE - 60w/ch stereo, vacuum-tube

    Conrad Johnson Classic 62SE - 60w/ch stereo, vacuum-tube

    This is for the Conrad Johnson Classic 62SE Vacuum Tube Stereo Power Amplifier. This amplifier is rated at 60 watts per channel and has far more power than just its rating. it deploys the great CJD Teflon Capacitors and Vischay Resistors that deliver a magical sound unmatched in its price range. Its highs are extended yet silky. Its bass is surprising, and its imaging is to behold. This ranks with the many great CJ Tube amps. Specifications: Classic Sixty-Two SE (CL62) Power: 60 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 16 ohm loads) Sensitivity: CL62 & 62SE: 0.6 V rms to rated power CL120 & 120SE: 0.9V rms to rated power Frequency Response (at 10 Watts): 20 Hz to 20 kHz, +/- .3 dB Hum and Noise: 96 dB below rated power Phase: phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 4 x KT120 Dimensions: 13.375D x 17.375W x 6.625H inches Weight: 44 lb. net, 54lbs Shipping Weight Learn More

  • Conrad Johnson CAV45 S2 vacuum-tube stereo control amplifier

    Conrad Johnson CAV45 S2 vacuum-tube stereo control amplifier

    CAV45-S2 Stereo Control Amplifier The control amplifier represents a distinctly different approach to high-performance home audio. In many ways it is the ultimate embodiment of our design philosophy that simple circuits yield best results. Similar in function to an integrated amplifier, a control amplifier offers the significant potential improvement of eliminating extra connections, external cabling, and inter-device connection considerations that limit conventional audio systems. But the control amplifier also eliminates an entire stage of audio circuitry (the line stage) and its inherent colorations. The CAV45-S2 is a vacuum-tube control amplifier. Its audio circuit is similar to our highly regarded Classic Sixty power amplifier, with triode voltage gain and phase inverter stages and an output stage comprised of a pair of EL34s per channel operated in ultralinear mode to produce 45 watts per channel. The use of carefully selected, high-quality parts enables the CAV45-S2 to properly exploit the dramatic potential of a control amplifier to enhance the immediacy of musical experience afforded by fine recordings. All resistors in the audio circuits and related power supplies are precision metal film types. With the exception of the large power supply reservoir capacitors (which are specially chosen electrolytic capacitors bypassed by polypropylenes), all capacitors in these circuits use polystyrene and polypropylene dielectrics. This execution of minimalist circuitry with quality parts result in a control amplifier that is notable for its resolution of subtle dynamic shadings and palpable imaging, for a natural harmonic tonality, and extraordinary resolution. The CAV45-S2 features larger value electrolytic capacitors in the unregulated power supply, yielding improved bass response and lower noise floor. The binding posts are billet brass, rhodium over silver plate, with billet brass, gold plate nut. Learn More

  • Conrad Johnson TEA1 S3 Phono-Stage

    Conrad Johnson TEA1 S3 Phono-Stage

    TEA1 Series 3 Phono Preamplifier The TEA1 Series 3 triode equalization amplifier is a stand-alone vacuum-tube phono stage designed to satisfy the expectations of the most demanding music lovers. The TEA1s3 features a zero loop feedback circuit with passive RIAA equalization. It offers two phono inputs, one with switch selectable resistive and capacitive loading allowing the user to fine-tune performance to the chosen phono cartridge. The other input is fitted with premium wide-bandwidth audio transformers installed on the PHONO 1 input to provide the higher gain and very low noise required by low output moving coil cartridges. Designed to precisely track the prescribed RIAA equalization curve, the TEA-1s3 assures absolute tonal accuracy. The low-gain audio circuit of the TEA-1s3 is comprised of two cascaded single-ended triode amplifiers. The circuit is a zero-feedback design, to eliminate the temporal inaccuracies that negative feedback introduces. RIAA equalization is established by a passive network between the two gain stages. Careful implementation of this fundamentally simple circuit results in extremely wide bandwidth and low distortion, without resorting to negative feedback. The ideal dc power supply circuit is simply a zero impedance path to ground. Any deviation from this ideal is fully reflected in the audio circuits. Thus the power supplies are as important to audio performance as the audio circuits and must be accorded equal attention in design. In the TEA-1s3, each stage has its own discrete regulated DC power supply. These power supplies have been carefully designed for minimum impedance, even at the highest audio frequencies, to prevent the power supplies from degrading music reproduction. The TEA1s3 is optionally available as the TEA1s3b with the step-up transformers deleted. This version of the TEA1s3 has two direct inputs, one with variable loading and one with fixed loading. The full potential of any circuit design can only be realized if executed with the highest quality parts. The audio circuits of the TEA-1s3 use only conrad-johnson’s proprietary Teflon capacitors. In the power supplies, all capacitors are polypropylene or Teflon – there are no electrolytic capacitors anywhere in the audio circuits or their dc power supplies. The audio circuits and related power supplies both use high-precision laser trimmed metal-foil resistors, designed for ultra-low inductance. All parts in the RIAA compensation network are 1% tolerance, to assure precise tracking of the RIAA curve. Input and output connectors are gold-plated, machined oxygen free copper. Even the hookup wiring has been carefully selected for optimal audio performance. The casework features black anodized aluminum, brushed-polished, sides and ventilated top cover. Thoughtful engineering, specification of the finest available component parts, and painstaking care taken in production make the TEA-1s3 a phono equalization preamplifier without peer in music reproduction. We invite you to arrange an audition with your conrad-johnson dealer to confirm for yourself the extraordinary musical performance of these products. Learn More

  • Conrad Johnson ET6PHSE phono card

    Conrad Johnson ET6PHSE phono card

    Price is for phono card when ordered with the ET3. When purchased for installation in an existing unit, there is a 2 hour labor charge for installation. Learn More

  • Conrad Johnson ET6PH phono card for PV15/ET2/ET3, vacuum-tube

    Conrad Johnson ET6PH phono card for PV15/ET2/ET3, vacuum-tube

    Price is for phono card when ordered with the ET3. When purchased for installation in an existing unit, there is a 2 hour labor charge for installation. Learn More

  • Conrad Johnson ET6SE with SE phono stage, vacuum-tube

    Conrad Johnson ET6SE with SE phono stage, vacuum-tube

    ET6/ET6SE Vacuum Tube Preamplifiers At conrad-johnson, development of our flagship products has traditionally led to important enhancements of our entry-level offerings. The ET6 preamplifier is a case in point. The ET6 line-stage is a “baby” version of our flagship line-stage preamplifier, the GAT. The family resemblance is much more than skin deep. With voltage gain provided by a triode vacuum-tube, the zero-feedback line-stage circuit of the ET6, along with its DC voltage regulators, closely replicates the circuit of the GAT. Finally, and especially noteworthy, the ET6 features a relay operated discrete stepped attenuator level-control circuit of the type found in the GAT and ET7, absent only the balance control function found in those more costly models. Functionally, the ET6 provides highly flexible I/O facilities with six separate line-level inputs (including one “tape” loop), plus a theater loop that facilitates use in a home theater system. In addition, the ET6 offers the convenience of infrared remote control of all functions. For vinyl enthusiasts, the ET6 is optionally available with a vacuum-tube phono stage that borrows its zero-feedback audio circuit from our reference quality TEA1-S3 phono stage. Customers can choose between high gain (recommended for cartridges with a rated output of 1.0 mV or less) and low gain (recommended for cartridges with rated output greater than 1.0 mV) versions of the phono stage. Input resistive loading is switch selectable over a range from 47 kOhms down to 200 Ohms. The ET6 phono stage is built to the same high quality standard found in the ET6 line-stage. Premium quality component parts are specified to optimize performance and to sustain that performance for years to come. Precision, metal-film resistors yield low noise performance for greatest clarity. Polypropylene capacitors, used exclusively in the audio circuits and the regulated plate voltage supplies, offer extraordinary temporal accuracy. In fact, the ET6 is built to standards that meet or exceed those of many companies’ “flagship” offerings. Those who wish to take the performance to yet a higher level will be thrilled by the availability of an upgraded “SE” version. The ET6SE boasts CJD Teflon capacitors and metal foil resistors in critical circuit applications. It would be fair to say that the only thing “entry-level” about the ET6 is its price. Arrange to audition one at a conrad-johnson dealer to find out for yourself – you’ll be surprised at just how affordable true high-end performance can be. Learn More

  • Magnum Dynalab  MD 306

    Magnum Dynalab MD 306

    MD 306 is another serious solution for the 2-channel audio enthusiast. With the same proven Hybrid-Acoustic circuitry found in all of our integrated amplifiers and receivers, the MD 306 is built on the backbone of our MD 209's pre-amp and amplifier sections, boasting 125 Watts of output power with a flexible feature set. It is a hybrid integrated amplifer that can perform in a wide array of listening environments, and like all Magnum Dynalab products, it is built to withstand the most demanding operation over the long haul. • HYBRID-ACOUSTIC CIRCUITRYTM. This unique and proprietary circuitry combines the musicality, soundstaging and audio realism of JJ 6922 CryoTubes with the crisp detail, harmonics and long-life of a solid state device. • INTEGRATE ANY DIGITAL SOURCE COMPONENT. The MD-306 2 channel audio receiver has an optional Digital-to-Analog converter, featuring our full-time upconverting and oversampling Burr-Brown design, 3 digital inputs (including USB), and seamless operation through the remote or faceplate. • FUNCTIONAL AND SIMPLE OPERATION. With a bright digital display, and intuitive remote, the MD 306 is beautifully simple, and similarly easy-to-operate. • FLEXIBLE INPUTS/OUTPUTS. With 1 line-level pre-amp variable output, 2 Balanced (XLR) inputs and 3 single-ended analog inputs (including a Surround Sound Processor input for integration with multi-channel applications), PLUS 3 digital inputs (including USB, optical and RCA), the MD-306 can act as the backbone for any home audio/video system. • AUDIO PROTECTION BOARD. The MD-306 comes equipped with a proprietary circuit to run regular diagnostics on the device, ensuring safe and efficient operation of the unit at all times and safeguarding against any unwanted current that may harm your speaker. • MAGNUM DYNALAB BUILD QUALITY. Solid footings, 24K gold plated .093" thick circuit boards, hefty internal heat-syncs and a burly chassis are all characteristics of our unrelenting commitment to quality. The MD-306 comes with the MX-350 remote, our latest universally programmable remote control featuring soft touch buttons and a crisp digital display fully customizable to its users' preferences. Learn More

  • Conrad Johnson ET6 Linestage, vacuum-tube

    Conrad Johnson ET6 Linestage, vacuum-tube

    ET6/ET6SE Vacuum Tube Preamplifiers At conrad-johnson, development of our flagship products has traditionally led to important enhancements of our entry-level offerings. The ET6 preamplifier is a case in point. The ET6 line-stage is a “baby” version of our flagship line-stage preamplifier, the GAT. The family resemblance is much more than skin deep. With voltage gain provided by a triode vacuum-tube, the zero-feedback line-stage circuit of the ET6, along with its DC voltage regulators, closely replicates the circuit of the GAT. Finally, and especially noteworthy, the ET6 features a relay operated discrete stepped attenuator level-control circuit of the type found in the GAT and ET7, absent only the balance control function found in those more costly models. Functionally, the ET6 provides highly flexible I/O facilities with six separate line-level inputs (including one “tape” loop), plus a theater loop that facilitates use in a home theater system. In addition, the ET6 offers the convenience of infrared remote control of all functions. Learn More

  • SANUS TRILLIUM 63 chestnut available NEW closeout

    SANUS TRILLIUM 63 chestnut available NEW closeout

    SANUS Trillium series TRILLIUM63 is designed with the audiophile in mind. It features unique steel panels that do not disrupt IR signals and promotes airflow throughout the cabinet to keep components cool. A hidden storage area conceals small devices, and side compartments were specially designed to store gaming equipment and DVDs. The stand also features a large soundbar opening that fits most soundbars on the market Learn More

  • SANUS Cadenza61  display piece only available local pickup in South Florida only

    SANUS Cadenza61 display piece only available local pickup in South Florida only

    SANUS CADENZA61 Cadenza Collection AV cabinet was audiophile inspired with the designer in mind. This is a fully functioning rack system disguised as beautiful furniture for your living room. Smooth operating self-closing hardware will provide years of trouble-free operation. With the included, interchangeable hardwood and metal mesh door panels, enhancing component concealment or providing system cooling is a breeze. Easily manage cables with the built-in rails and wide pass-through access. Utilize the hidden storage compartment for concealing other small accessories and components. A large sound bar opening supports many sound bars and center channel speakers on the market (up to 59.5" / 151.13 cm wide). Learn More

  • Gingko Audio ClaraVu Dust Covers

    Gingko Audio ClaraVu Dust Covers

    ClaraVu Dust Covers Plinth Tops and Table Tops PLEASE CALL FOR DETAILS Learn More

  • Gingko Audio SCOUTMASTER TABLE TOP

    Gingko Audio SCOUTMASTER TABLE TOP

    The highest build quality helps ensure that dust and dirt don't intrude upon your 'table and compromise performance. The Gingko will keep your Scout, Scout 2, or Scoutmaster looking its best, too. So show off your turntable while protecting it! Learn More

  • Gingko Audio Traveler

    Gingko Audio Traveler

    Gingko Audio Traveler Gingko Audio has designed this acrylic dustcover to perfectly match the size of VPI's New Traveler turntables. Compact, simple and effective. The perfect piece to protect your investment. Learn More

  • Gingko Audio CLOUD 11 FOR SCOUT

    Gingko Audio CLOUD 11 FOR SCOUT

    One of the two non-standard sizes in the Cloud 11™ series, this model is designed to fit the VPI Scout/Scoutmaster turntable. Product Description The Cloud 11™ vibration control platform offers the best performance of the Cloud series with some added features over the Cloud 10™ model: •Its bottom plate has deeper wells to provide an added level of safety in use. The balls stay in the wells, resting squarely on the dimples. •The top plate accommodates components with larger footprints. It features a thicker skirt that makes the platform more rigid to withstand heavier components and minimize deformation. •The extra thickness of the bottom plate and the top plate skirt improve vibration reduction performance to an average of 99% of the vibration from 5 Hz to 500 Hz, with a resonant frequency of around 13 Hz. Learn More

  • Gingko Audio VPI Classic plinth cover

  • Gingko Audio Super Scoutmaster dustcover

    Gingko Audio Super Scoutmaster dustcover

    Ginkgo Super Scoutmaster Table dustocover Learn More

  • SoundSmith Helios

    SoundSmith Helios

    Specifications Cartridge Type Fixed Coil Stylus Type Contact Line O.C. Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature Selected diamond shapes: CL or Optimized (OCL) Cantilever: Hand formed/treated selected Cactus "Spine" Recommended tracking force: 1.8 to 2.2 Grams Effective tip mass: 0.30 mg Compliance: 10μm/mN (low compliance) (LT), 12μm/mN vertical, 7 μm/mN horizontal Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >36 dB (LT: > 34dB), 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output voltage (Helios): 1.1 mV Cartridge weight: 10.25 grams Loading (Helios): ≥ 1.5 kΩ Learn More

  • MUSIC HALL mmf-2.3

    MUSIC HALL mmf-2.3

    mmf-2.3 The music hall mmf-2.3 turntable is a 2-speed belt driven audiophile turntable at a budget price. feature list gorgeous high gloss piano black lacquer finish special vibration damping adjustable feet top tier 8.6” carbon fiber tonearm with aluminum headshell low noise fully manual belt-drive design separately isolated DC synchronous motor for superior speed stability two-speed stepped motor pulley for 33⅓ and 45 rpm music hall Spirit moving-magnet cartridge with replaceable elliptical stylus ($100 value) the cartridge supplied is properly aligned and mounted high precision stainless steel and bronze bearing assembly for quiet fluid operation high quality gold RCA connectors with detachable phono cable full-size alloy platter and felt mat excellent instruction manual quick and easy to assemble dust cover and 45 rpm adaptor Learn More

  • MUSIC HALL usb-1 turntable

    MUSIC HALL usb-1 turntable

    music hall’s new usb-1 is a convenient, easy to use, and fun turntable. It’s a snap to set up and comes with everything you need to start spinning vinyl. Whether you’re looking to digitize and download your record collection, release your inner DJ, or simply discover the joy of spinning vinyl, the usb-1 is your answer. It has a built-in phono preamp, cartridge, dust cover, and includes all necessary cables and software required for simple plug and play operation. Learn More

  • SoundSmith BOHEME

    SoundSmith BOHEME

    Specifications Cartridge Type Fixed Coil Output High Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.120mm SQ selected Radius of curvature: Contact Line Cantilever: Ruby Recommended tracking force:10mN / 1.0 gm (high), 13mN / 1.3 gm (medium) Effective tip mass: 0.32 mg Compliance: 28 μm/mN (high), 22 μm/mN (medium) Frequency response: 20-20,000 Hz ± 2.5 dB Channel separation (stereo only): 1000 Hz >28 dB 50-15,000 >20 dB Channel difference: <1.4 dB (Stereo), <1.0 dB (Mono) Output voltage: >2.12 mV Cartridge weight: 6.8 grams Loading: ≥ 47 kΩ FREE SHIPPING Learn More

  • SoundSmith Zephyr MKll

    SoundSmith Zephyr MKll

    Specifications Cartridge Type Fixed Coil Output High Available As Dual Coil Mono Yes Additional Specifications Stylus: Selected Contact Line low mass Nude Stylus Radius of curvature: 6 x 17 μm Cantilever: Boron Recommended Tracking force: 1.8 to 2.2 grams Effective tip mass: 0.32 mg Compliance: 10μm/mN (low compliance) Frequency response: 15-45,000 Hz ± 2.0 dB Channel Separation (stereo only): 1000 Hz >28 dB, 50-15,000 >25 dB Channel difference: <1.0 dB (Stereo), <0.5 dB (Dual Mono operation- w/optimal VTF setting) Output voltage: 2.4 mV Cartridge weight: 10.27 grams Loading: ≥ 47 kΩ FREE SHIPPING!!! Learn More

  • SoundSmith AIDA

    SoundSmith AIDA

    Specifications Cartridge Type Fixed Coil Output High Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: OCL (Optimized Contour Contact Line) Cantilever: Ruby Recommended tracking force: 10mN / 1.0 gm (high), 13mN / 1.3 gm (medium) Effective tip mass: 0.30 mg Compliance: 28 μm/mN (high), 22 μm/mN (medium) Frequency response: 20-20,000 Hz ± 2.5 dB Channel separation (stereo only): 1000 Hz >30 dB, 50-15,000 >20 dB Channel difference: <1.0 dB (Stereo), <1.0 dB (Mono) Output voltage (Aida): 2.12 mV Cartridge weight: 6.8 grams Loading (Aida): ≥ 47 kΩ Learn More

  • SoundSmith IROX "ULTIMATE"

    SoundSmith IROX "ULTIMATE"

    Specifications Cartridge Type Fixed Coil Stylus Type Elliptical Output High Output Voltage >2.12 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Nude Elliptical, 0.120mm SQ Radius of curvature: 6 x 17 μm Cantilever: Aluminum Alloy Recommended tracking force: 2.0 – 2.5 grams Effective tip mass: 0.55 mg Compliance: 10 μm/mN Frequency response: 20-20,000 Hz ± 2.5 dB Channel separation (stereo only): 1000 Hz >26 dB, 50-15,000 >20 dB Channel difference: <1.6 dB Output voltage: >2.12 mV Cartridge weight: 10.27 grams Loading: ≥ 47 kΩ Learn More

  • NORMA

    SoundSmith Helios NORMA

    Specifications Cartridge Type Fixed Coil Stylus Type Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: OCL (Optimized Contour Contact Line) Cantilever: Ruby Recommended tracking force: 10mN / 1.0 gm (high), 13mN / 1.3 gm (medium) Effective tip mass: 0.30 mg Compliance: 28 μm/mN (high), 22 μm/mN (medium) Frequency response: 20-20,000 Hz ±2.5 dB Channel separation (stereo only): 1000 Hz >30 dB, 50-15,000 >20 dB Channel difference: <1.0 dB (Stereo) <1.0 dB (Mono) Output voltage (Norma): 1.1 mV Cartridge weight: 6.8 grams Loading (Norma): ≥ 1.5 kΩ Learn More

  • SoundSmith SOTTO VOCE

    SoundSmith SOTTO VOCE

    Specifications Cartridge Type Fixed Coil Stylus Type Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ selected for low noise Radius of curvature: OCL (Optimized Contour Contact Line) Cantilever: Ruby Recommended tracking force: 10mN / 1.0 gm (high), 13mN / 1.3 gm (medium) Effective tip mass: 0.30 mg Compliance: 28 μm/mN (high), 22 μm/mN (medium) Frequency response: 20-20,000 Hz ±1.0 dB Channel separation (stereo only): 1000 Hz >30 dB, 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo), <1.0 dB (Mono) Output voltage (Sotto Voce): 1.1 mV Cartridge weight: 6.8 grams Loading (Sotto Voce): ≥ 1.5 kΩ Learn More

  • SoundSmith NAUTILUS

    SoundSmith NAUTILUS

    Specifications Cartridge Type Fixed Coil Stylus Type Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: Nude Contact Line SELECTED Cantilever: Telescoping Aluminum Alloy Recommended tracking force: 1.7 to 1.9 grams Effective tip mass: 0.30 mg compliance: 10 μm/mN (low compliance) Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >34 dB, 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output voltage (Nautilus): 1.1 mV Cartridge weight: 10.25 grams Loading (Nautilus): ≥ 1.5 kΩ Learn More

  • SoundSmith Mezzo

    SoundSmith Mezzo

    Specifications Cartridge Type Fixed Coil Stylus Type O.C. Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: OCL (Optimized Contour Contact Line) SELECTED Cantilever: Ruby Recommended tracking force: 1.8 to 2.2 grams Effective tip mass: 0.30 mg Compliance: 10 μm/mN (low compliance) Frequency response: 20-20,000 Hz ± 1.0 dB Channel Separation (stereo only): 1000 Hz >34 dB, 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output voltage (Mezzo): 1.1 mV Cartridge weight: 10.25 grams Loading (Mezzo): ≥ 1.5 kΩ Learn More

  • MUSIC HALL MMF-2.3LE

    MUSIC HALL MMF-2.3LE

    mmf-2.3le The music hall mmf-2.3le turntable is a 2-speed belt driven audiophile turntable with special Ferrari red plinth at a budget price. feature list gorgeous high gloss Ferrari red lacquer finish special vibration damping adjustable feet top tier 8.6” carbon fiber tonearm with aluminum headshell low noise fully manual belt-drive design separately isolated DC synchronous motor for superior speed stability two-speed stepped motor pulley for 33⅓ and 45 rpm music hall Spirit moving-magnet cartridge with replaceable elliptical stylus ($100 value) the cartridge supplied is properly aligned and mounted high precision stainless steel and bronze bearing assembly for quiet fluid operation high quality gold RCA connectors with detachable phono cable full-size alloy platter and felt mat excellent instruction manual quick and easy to assemble dust cover and 45 rpm adaptor Learn More

  • SoundSmith PAUA

    SoundSmith PAUA

    Specifications Cartridge Type Fixed Coil Stylus Type Contact Line Output Low Output Voltage .4 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: Nude Contact Line SELECTED Cantilever: Telescoping Aluminum Alloy Recommended tracking force: 1.7 to 1.9 grams Effective tip mass: 0.30 mg Compliance: 10 μm/mN (low compliance) Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >34 dB 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo), <1.0 dB (Mono) Output Voltage: ≥0.4 mV DC Resistance (DCR): 10-11 Ω each channel Coil: 2.75 mH each channel Suggested Preamp Gain: 58-64 dB Soundsmith Recommends: MCP2 Variable Loading Preamp Cartridge weight: 10.25 grams Loading: ≥ 470 Ω Learn More

  • SoundSmith Hyperion MK II

    SoundSmith Hyperion MK II

    SoundSmith Hyperion MK II Please phone (888)850-4366 for pricing. Specifications Cartridge Type Fixed Coil Stylus Type Contact Line O.C. Contact Line Output Low Output Voltage 0.4 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature Selected Diamond shapes: CL or Optimized (OCL) Cantilever: Hand formed/treated selected Cactus "Spine" Recommended tracking force: 1.8 to 2.2 grams Effective tip mass: 0.30 mg Compliance: 10 μm/mN (low compliance) (LT) | 12 μm/mN vertical | 7 μm/mN horizontal Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >36 dB (LT: > 34dB), 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output Voltage: ≥0.4 mV DC Resistance (DCR): 10-11 Ω each channel Coil: 2.75 mH each channel Suggested Preamp Gain: 58-64 dB Soundsmith Recommends: MCP2 Variable Loading Preamp Cartridge weight: 10.25 grams Loading: ≥ 470 Ω Learn More

  • Sennheiser TRAVEL PXC 310

    Sennheiser TRAVEL PXC 310

    Technical Data Wearing styleHeadband Colorblack Impedance300 Ohms (active) – 160 Ohms (passive) Frequency response10 - 21000 Hz Sound pressure level (SPL)112 dB Learn More

  • VPI Avenger Reference

    VPI Avenger Reference

    VPI AVENGER, VPI's latest and greatest, many different configurations available, priced from $9500-$30000. We will have on display their $20000 version mid-September at our Miami sihowroom with their newest 3d arm along with VPI's other products. In home delivery and set-up available. Inquire Please phone (888)850-4366 to discuss any of your VPI needs. The Avenger Reference comes with the Magnetic Drive Assembly Platter, 300 rpm motor with sds, HRX Weight and Periphery Ring and special Avenger Feet The VPI Avenger table was originally a project started by Harry over 12 years ago. In the process of the design the project was dropped in mid-production due to excessive demand by HR-X customers which left the design and proto-type chassis to be mothballed. The good news about the abandoned design is Harry instead shifted his focus into starting and completing the VPI Classic Turntable. Shortly after the development of the Prime, and while cleaning out the warehouse in preparation for a dealer training event, the forgotten Avenger and its designs were re-discovered! The working name was the "Tri-Pod Project". Being newly motivated, Harry has finally put in motion the table that will be his master piece! The unique iterations that had been crafted from the original process were completed as Special Editions. The Table: The VPI Avenger chassis is three layers of bonded acrylic/aluminum/acrylic, with damping material between layers, locked in by 3 isolation steel corner posts, 3 bolts, and the massive bearing assembly. The corner posts which hold the tonearms (up to three will fit) have adjustable machined knobs giving the user the ability to easily raise and lower the height to level the table. Fully adjustable armboards are made from 5/8” 6061 aluminum for rigidity and grounding. The table can mount up to three arms, any manufacture's brand, and any length! ​ The Table: The Avenger chassis is three layers of bonded acrylic/aluminum/acrylic with damping material between layers. 3 stainless steel corner posts for both isolation and tonearm mounting and for mechanical grounding (up to 3 will fit). The 300 RPM, 24 pole, AC synchronous motor is capable of high torque and quiet operation. The motor is installed in a separate aluminum and steel machined assembly The Inverted bearing features a hardened stainless steel shaft, 60 Rockwell chrome hardened ball, spinning in a phosphor bronze bushing and sits on a PEEK thrust disc. The belt side load is placed at the center of the spinning bearing for zero teeter-totter effects The 20 pound 6061 aluminum platter has an accuracy of +/- .001” in a 39” circumference The motor pulley has an accuracy of +/- .0005” when leaving factory JMW 12-3D with VPI pure copper wire ​ Specifications: Wow and flutter: <.1% Speed Accuracy: <.03% Rumble: >75db down Overall Dimensions 27" x 23" x 10" Footprint is 23" x 20" 87 lbs packing weight Learn More

  • Krell Nordost Cast MMF 1m

  • Krell Illusion II Preamp and DAC

    Krell Illusion II Preamp and DAC

    Krell Illusion II, like new condition, complete with box and all accessories retail 1/22 is $9400 Analog Inputs 2 pr. balanced via XLR connectors 3 pr. singleended via RCA connectors Digital Inputs 1 AES/EBU via XLR connector 2 coaxial via RCA connectors 2 optical via Toslink connectors Main outputs 1 balanced via XLR connectors 1 pr. single]ended via RCA connectors Download the "Quick Set-up Guide" Headphone output 1 via 3-conductor 6.35 mm (1/4 inch) connector Control inputs 1 RS-232 input via a 9-pin D-subminiature connector 1 remote IR detector input via a 3-conductor 3.5 mm connector 1 12 VDC trigger input via 2-conductor 3.5 mm connector Control outputs 2 individually programmable 12 VDC trigger outputs via 2-conductor 3.5mm connectors (30 mA maximum per output) Learn More

  • Krell Solo 375 New XD version  Please phone for price

    Krell Solo 375 New XD version Please phone for price

    Krell Solo 375 XD Price is per mono amplifier Mono Power Amplifier 375 Watt Amplifier Featuring Krell iBias Technology Krell iBias Class A amplifiers are the first to deliver the rich musicality of Class A amplifiers, the uncompromised dynamics of classic Krell amplifiers, and the efficiency and low power consumption of Class G and H amplifiers Circuitry Highlights Krell iBias Class A technology allows our latest amplifiers to run in full Class A mode to full power while minimizing heat generation. All signal gain is realized in the current domain using discrete, proprietary, multiple-output current mirrors with extraordinary open loop linearity. There are no generic integrated circuits or op amps used anywhere. Current mirrors in the final gain stages use a new output power device that operates at a 73% higher voltage, delivers almost 10% more current, and offers 120 watts of additional power handling capability as compared to previous devices. The signal path is fully complementary and balanced . Independent complementary pre driver and driver stages for the positive and negative output transistors make the output stages extremely fast and linear. Krell amplifiers are fully direct-coupled, with no capacitors in the audio signal path. This design gives the Krell amplifiers lower internal impedance, which allows firmer, more precise control of your speakers. Krell CAST Circuitry delivers the purest signal when connected to Krell CAST equipped preamplifiers. Learn More

  • Krell Solo 575 New XD version  mono amplifier each   Call for price!

    Krell Solo 575 New XD version mono amplifier each Call for price!

    Krell Solo 575 XD Mono Power Amplifier 575 Watt Amplifier Featuring Krell iBias Technology Circuitry Highlights Krell iBias Class A technology allows our latest amplifiers to run in full Class A mode to full power while minimizing heat generation. All signal gain is realized in the current domain using discrete, proprietary, multiple-output current mirrors with extraordinary open loop linearity. There are no generic integrated circuits or op amps used anywhere. Current mirrors in the final gain stages use a new output power device that operates at a 73% higher voltage, delivers almost 10% more current, and offers 120 watts of additional power handling capability as compared to previous devices. The signal path is fully complementary and balanced . Independent complementary pre driver and driver stages for the positive and negative output transistors make the output stages extremely fast and linear. Krell amplifiers are fully direct-coupled, with no capacitors in the audio signal path. This design gives the Krell amplifiers lower internal impedance, which allows firmer, more precise control of your speakers. Krell CAST Circuitry delivers the purest signal when connected to Krell CAST equipped preamplifiers. Power Supply Highlights Four 750VA toroidal transformers feed amplifier modules that include the audio circuitry, rectifier, and power supply filtering mounted to an individual heat sink. This design shortens the electrical path from the power supply to the output transistors, reducing the overall impedance and allowing the circuit to respond faster and control the speakers better and more accurately. Feature Highlights Network connectivity brings convenience, monitoring, and reporting to end users from any smartphone, tablet, or laptop. Amplifier configuration options include display brightness and timeout. For energy conservation, the amplifiers can be programmed to power off at a preset time of inactivity. Individual channels can be muted and firmware updates can be initiated from the web server. Excessive current, output DC, fan speeds, short circuit, and overheating are all monitored in real time. Messages are displayed on the front panel and reported on the web server interface. Additionally. end users can be sent an email notifying them of any operational anomalies. Learn More

  • Parasound A52+

    Parasound A52+

    Parasound A52+ reissue available 12/17 available in black only From Parasound Parasound is introducing their new Halo A 52+ five-channel amplifier. The A 52+ is based on their highly successful A 52 and features significant upgrades in power output, circuitry refinements, and the latest Halo styling. The new model increases available power from 125 to 180 watts per channel into eight ohms and 255 watts into four ohms, with all channels driven. As with its predecessor, the Parasound Halo A 52+ is the work of audio legend John Curl, using high-bias Class A/AB and direct-coupled circuit topology. "The A 52 had a great run from 2003 to 2012," said Richard Schram, president and founder of Parasound. A growing number of requests for a moderately priced high-performance five-channel amplifier coming from customers and dealers made the A 52 ripe for re-engineering and an increase in power." The Parasound Halo A 52+ features a larger custom-made toroid power transformer to support its higher power output. It has five RCA unbalanced and five balanced XLR inputs, a separate module for each channel, DC Servos and relays to protect the amp and speakers. Features include automatic turn-on and a 3U chassis with rear carry handles, which is rack mountable with optional adaptors. The Parasound Halo A 52+ has a black anodized extruded front panel with new solid aluminum end-caps that are milled and hand-polished. These represent a fresh and refined Halo aesthetic. The Parasound Halo A 52+ will be available in Q4 of 2017 with a retail price of $2,995. Learn More

  • Magnum Dynalab MD 108T SIGNATURE

    Magnum Dynalab MD 108T SIGNATURE

    DUAL MATRIX EYE TUBE TUNING 3 ULTRA SENSITIVE BANDWIDTH SETTINGS LOW NOISE DUAL GATE MOSFETS CUSTOM TORROIDAL TRANSFORMERS 6 STAGE TUNING FRONT END ULTRA-LINEAR POWER SUPPLY 2 ANALOG ANTENNA INPUTS HAND MATCHED RESONATORS DAC UPGRADE WITH XM MODULE Learn More

  • Magnum Dynalab MD 309 w/ remote – 19”

    Magnum Dynalab MD 309 w/ remote – 19”

    Future-Ready and Loaded with Features Drawing upon its pedigree in pure analog circuitry, Magnum Dynalab introduces its most uncompromising two-channel integrated amplifier. It uses the same Hybrid-Acoustic circuitry found in Magnum Dynalab's MD-209 Audio Receiver, including proprietary 6922 Cryovalve tubes. Loaded with features while boasting premium build quality and audio engineering, the MD-309 is a future-ready centerpiece for a high-performance home audio system. Hybrid-Acoustic Technology The MD-309's unique and proprietary Hybrid-Acoustic circuitry combines the musicality, soundstaging, and audio realism of the company's 6922 CryoTubes with the crisp detail, harmonics, and long life of a solid state device. The simple and efficient treatment of the analog signal throughout the MD-209 is, without a doubt, the hallmark of this marvelously musical component. Magnum Dynalab's Director of Design Zdenko Zivkovic has worked tirelessly to develop the Hybrid-Acoustic design platform as the backbone of this amplifier. This distinctive circuit path delivers the unique combination of long tube life (expected to be greater than seven years under normal use), with high-current output (225 watts into 8 ohms and 450 watts into 4 ohms) in a design that generates half of its gain from the triode stage. The result is reference-quality audio realism and soundstaging of a full triode design combined with the sharp detail and harmonics characterized by the very best solid-state devices. Sophisticated Solid State Output Stage This unique combination of long tube-life and high current output is achieved not by the use of output transformers, which add weight, limit frequency response, and ultimately, harm the harmonics of the resultant signal. Instead, the MD-309 is equipped with an output stage that generates power through the use of 40 Sanken output transistors (10 per phase per channel). These amplify current, rather than voltage, taking critical stress off the 6922 Cryovalve tubes and eliminating the need for traditional output tubes. When combined with a collection of world-leading components -- including Mundorf Supreme capacitors in the tube gain stage, Kimber Hyper-Pure cables throughout the device, and a unique audio stage that delivers the signal fully balanced before the output stage -- the result is a perfect reproduction of the original dynamic signal from the source component. Learn More

  • Magnum Dynalab  MD 209 w/ remote – 19”

    Magnum Dynalab MD 209 w/ remote – 19”

    Tube-Solid State Receiver with Built-in DAC Building upon a pedigree in pure analog circuitry, Magnum Dynalab's two-channel MD-209 receiver offers uncompromising performance. Loaded with features while boasting premium build quality and audio engineering, the MD-209 is a future-ready anchor for a high-performance home audio system. With one line-level pre-amp output, two balanced (XLR) inputs, and three single-ended analog inputs (including a surround sound processor input for integration with multi-channel applications), plus three digital inputs (including USB), the MD-209 has all the flexibility you need. Hybrid-Acoustic Technology The MD-209's unique and proprietary Hybrid-Acoustic circuitry combines the musicality, soundstaging, and audio realism of the company's 6922 CryoTubes with the crisp detail, harmonics, and long life of a solid state device. The simple and efficient treatment of the analog signal throughout the MD-209 is, without a doubt, the hallmark of this marvelously musical component. Magnum Dynalab's Director of Design Zdenko Zivkovic has worked tirelessly to develop the Hybrid-Acoustic design platform as the backbone of this receiver. This distinctive circuit path delivers the unique combination of long tube life (expected to be greater than seven years under normal use) with high-current output in a design that generates one-half of its gain from the triode stage. The result is reference-quality audio realism and soundstaging of a full triode design combined with the sharp detail and harmonics characterized by the very best solid-state devices. Learn More

  • Magnum Dynalab  MD 801 w/ remote

    Magnum Dynalab MD 801 w/ remote

    •Multiple Audio Sources: Access to over 20,000 Internet Radio stations and podcasts via on board WiFi antenna or LAN. Access to terrestrial FM, DAB/DAB+ (optional, where available), and locally connected music collections in a variety of formats (including AACs, Real, MP3s, FLAC and WMA). •Intuitive & Simple Software: Internet radio stations are neatly organized and searchable by various categories (including country of origin, genre, most popular, favorites). Touch screen displays easy-to-read information on current track's metadata, genre, bit rate, codec and sampling rate. Personal audio collections (attached via local network or USB flash stick/hard drive) are easy to navigate via artist name, album name or genre. When connected, the software automatically connects to the host for the latest firmware updates. •Simple Functionality: With a 3/8" faceplate, a stately 3.5" color touch screen on the faceplate, and a solid steel chassis, the MD 801 is built to last. The functional remote is also upgradeable to our metal encased touch screen remote (standard on the MD 809), and operation is equally easy whether standing beside the unit or from a distance. •Power Supply & Ground Plane: Like all Magnum Dynalab products, particular attention has been paid to the grounding plane. The same unique grounding loop found in many of our top-end products is also designed into the MD 801, and the result is a signal free of impurities that originate with the ground plane. •Flexible Inputs/Outputs: With RCA analog outputs, the MD 801 will seamlessly integrate into any home audio system. Standard digital outputs include an optical port as well as a 75ohm RCA jack. It also features RCA and optical digital outputs, for use with an external DAC. Learn More

  • Magnum Dynalab  MD 807 S

    Magnum Dynalab MD 807 S

    MD 807 S With simplified styling, the MD 807 features a beefy audio stage, a top-end DAC design not often found in a source device. It is yet another product that is helping Magnum Dynalab put Internet radio and connected digital music collections on the same plane as more conventional sources in home audio. Features •Multiple Audio Sources: Access to over 20,000 Internet Radio stations and podcasts via on board WiFi antenna or LAN. Access to terrestrial FM, DAB/DAB+ (where available), and locally connected music collections in a variety of formats (including AACs, Real, MP3s, FLAC and WMA). •Intuitive & Simple Software: Internet radio stations are neatly organized and searchable by various categories (including country of origin, most popular, favorites). Touch screen displays easy-to-read information on current track's metadata, genre, bit rate, codec and sampling rate. Personal audio collections (attached via local network or USB flash stick/hard drive) are easy to navigate via artist name, album name or genre. When connected, the software automatically connects to the host for the latest firmware updates. •Simple Functionality: With a 1" faceplate, a stately 3.5" touch screen on the faceplate, and a solid aluminum chassis, the MD 807 is a simple and refined piece of audio gear. The functional remote is also upgradeable to our metal encased touch screen remote (standard on the MD 809), and operation is equally easy whether standing beside the unit or from a distance. •Digital-to-Analog Conversion: This full time upconverting DAC is also found in our MD 809, - a proven design that is based on the reality of signal variability in the digital domain. To ensure a consistent, high-quality signal is fed to our audio stage, the full-time upconverting DSP built into the design boosts all incoming signals to 24-bit/192kHz, and when combined with components widely recognized as the best in the field, the resultant output is a perfectly clocked, incredibly accurate signal that is virtually jitter-free. •Audio Output Stage: Nearly identical to the audio stage found in our MD 107T FM Tuner, and, the MD 807 is a full triode design, with 2 cryo-treated 6922 vacuum tubes at its core. Our analog output stages have been refined over our 25+ years in the FM tuner business, and are, without a doubt, the chief contributor to our product's legendary sound quality. •World Leading Components: Mundorf Supreme and Audiocap capacitors, Kimber Hyperpure wiring throughout the unit, golf-plated tube sockets, WBT connectors and other no-compromise components all combine to deliver incredible transparency and detailed high frequency response. •Power Supply & Ground Plane: Like all Magnum Dynalab products, particular attention has been paid to the grounding plane. As in many of our devices, a unique grounding loop built into the device eliminates the inherent troubles with chassis grounding, and the result is a signal free of impurities that originate with the ground plane. Add a toroidal power supply, and Beldon silver coated wire to connect the independent boards in the unit, and the result is sound free of ripple or transient noises - only the pure original signal. •Flexible Outputs: With RCA and balanced analog outputs, the MD 807 will seamlessly integrate into any home audio system. It also features RCA and optical digital outputs. •Options: TRACC Audio Stage Learn More

  • Magnum Dynalab  MD 809

    Magnum Dynalab MD 809

    MD 809 Equipped with access to terrestrial FM broadcasts and DAB/DAB+ (where available), the MD 809's functionality really shines when accessing over 20,000 Internet radio stations via the on-board wi-fi antenna or connected LAN line. Features •Multiple Audio Sources: Access to over 20,000 Internet Radio stations and podcasts via on board WiFi antenna or LAN. Access to terrestrial FM, DAB/DAB+ (where available), and locally connected music collections in a variety of formats (including AACs, Real, MP3s, FLAC and WMA). •Intuitive & Simple Software: Internet radio stations are neatly organized and searchable by various categories (including country of origin, most popular, favorites). Touch screen displays easy-to-read information on current track's metadata, genre, bit rate, codec and sampling rate. Personal audio collections (attached via local network or USB flash stick/hard drive) are easy to navigate via artist name, album name or genre. When connected, the software automatically connects to the host for the latest firmware updates. •Functional Meets Fashion: With a 1" thick faceplate, a beautiful 5.7" color touch screen on the faceplate, and a burly chassis, the MD 809 is as striking to look at as it is to listen to. To ensure safety during shipping, we will deliver your MD 809 in a custom made, re-enforced road case. •Digital-to-Analog Conversion: This full time upconverting DAC is also found in our MD 109 and MD 309 - a proven design that is based on the reality of signal variability in the digital domain. To ensure a consistent, high-quality signal is fed to our audio stage, the full-time upconverting DAC built into the design boosts all incoming signals to 24-bit/192kHz, and when combined with components widely recognized as the best in the field, the resultant output is a perfectly clocked, incredibly accurate signal that is virtually jitter-free. •Unparalleled Audio Stage: We have poured only our very best into the MD 809's audio stage. Featuring the same TRACC audio technology as found in our MD 109, we use cryo-treated 6922 vacuum tubes, Mundorf Gold bypass capacitors, Vibrapod feet and a collection of other world-leading components. Most important is our direct drive circuit topology, with no capacitors after the gain stage of the tubes, which results in incredibly low impedance (200 ohms) across the frequency range (0.2Hz - 200kHz). The result is an output signal that is virtually identical to that which was received from the source. •Power Supply & Ground Plane: The combination of a clean supply of power with special attention to the grounding plane is part of the MD 809's hallmark. A unique grounding loop built into the device eliminates the inherent troubles with chassis grounding, and as a result all sources of impurities that originate with the ground plane are eliminated. Add the discrete toroidal power supplies for the DAC and audio stage, and Beldon silver coated wire to connect the independent boards in the unit, and the result is a signal that is free of any ripple or transient noises - leaving only the pure original signal. •Flexible Outputs: With RCA and balanced analog outputs, the MD 809 will seamlessly integrate into any home audio system. RCA and optical digital outputs are also standard on the unit. Learn More

  • Magnum Dynalab  MD 105

    Magnum Dynalab MD 105

    MD 105 Solid State md105 The 105 replaced the popular 102 in our line. The 105 has a dramatic new cosmetic look. It comes in our larger all aluminum chassis and has a one inch thick front faceplate with blue segment displays. Features: •A fully shielded and hand selected RF stage •Audio Cap gold plated capacitors with Mundorf Supreme by-pass caps •Balanced output Options: •Precision remote control •Silver faceplate Learn More

  • Magnum Dynalab MD 90T

    Magnum Dynalab MD 90T

    The 109 Signature Edition is not only our best tuner but the best in the world. The tuner board is Magnum Dynalab’s best we have ever made, the TRACC MKII audio has been under development for 10 years by Zdenko Zivkovic, it features Teflon By-pass caps, fully balanced output,on board trimmers so tubes can be matched as they are listened to, WBT RCA’s, a brand new tube load and configuration and new Ultra Premium tubes. Features: • All boards to be hand soldered •New Audio board featuring transparent 0.093 thick board, 100% gold plated traces inside and on the surface •Teflon by-pass caps •Premium grade Cryo-treated and matched Telefunken Black Diamond tubes with matched premium resistors •The new TRACC MKII audio control board that Zdenko Zivkovic has spent 10 years perfecting including fully balanced output of the audio board and optional DAC •Audio board trimmers that allow you to perfectly balance both channels •The sound will be optimized like a direct tube output •The new matching Power Supply with transparent 0.093 thick board with 100% gold Options: •Silver faceplate Learn More

  • Magnum Dynalab  MD 105T

    Magnum Dynalab MD 105T

    Triode Analog Tuner, Standard faceplate is black 17 ¾” with all units unless otherwise noted. Option Codes S – Silver Faceplate, G – Gold Faceplate, DAC – Digital Audio Converter, R – IR Remote. Options available are S/G, R, DAC Learn More

  • Magnum Dynalab MD 107T – 19”

    Magnum Dynalab MD 107T – 19”

    Magnum Dynalab MD 107T/107TR ANALOG FM TUNER Learn More

  • Soundsmith Carmen MKII NEW!

    Soundsmith Carmen MKII NEW!

    Soundsmith Carmen MKII medium compliance, high output 47k load 100-200pf in stock free ship, call for price at (888850-4366) Learn More

  • Magnum Dynalab MD 109T SIGNATURE

    Magnum Dynalab MD 109T SIGNATURE

    Dual, keyed automatic gain control (AGC) – monitors and maintains program signal level and clarity, along with providing a dramatic reduction in interference from strong, local stations BW 1/ BW 2 bandwidth control – switch to effectively control adjacent channel interference Mute circuit – noise-activated with manual defeat switch Auto blend RF circuit – automatically monitors and varies stereo separation insuring optimal “stereo quieting” during your listening sessions Stereo/mono mode – user switchable Digital frequency display – independent frequency counter derives input from tuner's local oscillator section and displays in soft, amber 0.5” LED numerals Learn More

  • MUSIC HALL IKURA

    MUSIC HALL IKURA

    ikura Designed and developed in the USA, the ikura represents a distinct visual and technical design departure for music hall. For the first time, music hall collaborated with an outside industrial design firm to develop and complete the project. The foundation of ikura’s design remains the unique two-piece split-plinth design originated by music hall and the final product is the result of a dynamic design partnership between Doing & Done, headed by designer James Kyroudis, and music hall. The mdf (medium density fiberboard) platter and felt mat sit on a high quality, stainless steel ball bearing sheathed in Teflon providing fluid and noise-free operation. The bearing assembly comes pre-charged with lubricant. The effective length of the tonearm is nine inches. This allows for a very shallow tracking arc on the record thus reducing distortion and record wear. The tonearm comes mounted with a high quality moving magnet cartridge and features Swiss made ABEC 7 stainless steel bearings. Each element of the ikura was carefully selected to provide you with the highest level of performance and sound quality. Used properly, the ikura will provide you with years of musical enjoyment. feature list music hall’s unique split-plinth design gorgeous high gloss white or black finish top tier one piece alloy tonearm flexible internal tonearm wire drawn from high purity copper counterweight’s center of gravity is level with the stylus tip resonance damping counterweight is decoupled from the tonearm separately isolated dc synchronous motor two speed (33/45 rpm) pulley ortofon 2m blue moving magnet cartridge with user replaceable nude elliptical diamond stylus (a $225 value) cartridge supplied is mounted and properly aligned precision stainless steel main bearing sheathed in teflon main bearing provides noise free fluid operation dynamically balanced MDF platter soft felt mat high quality gold rca connectors and detachable phono cable special vibration damping adjustable feet low noise fully manual belt drive design excellent instruction manual and easy assembly dust cover and 45rpm adaptor not compatible with music hall cruise control ALSO AVAILABLE IN BLACK Learn More

  • MUSIC HALL MMF-7.3

    MUSIC HALL MMF-7.3

    mmf-7.3 The music hall mmf-7.3 turntable is a 2-speed belt driven audiophile turntable employing the unique dual-plinth construction originated by music hall. The distinctive design of the mmf-7.3 isolates the critical sound reproducing components; platter, main bearing, tonearm, and cartridge on the top platform from the adjustable tip-toe feet which are mounted on the bottom platform. The motor speed controls, and wiring are isolated on their own platform and completely decoupled from the turntable. feature list music hall’s unique dual plinth construction one-piece full carbon fiber tonearm counterweight’s center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper completely isolated/decoupled DC motor with 33⅓ and 45 rpm speed controls located in the front left corner of the turntable, thus canceling any potential vibration from the motor/belt to the cartridge motor sits on its own resonance damping puck Optional Ortofon 2M Bronze cartridge with a nude fine line stylus ($440 value) the supplied cartridge is properly aligned and mounted precision stainless steel main bearing sheathed in Teflon® for noise-free, fluid operation non-resonant acrylic platter with metal screw-on record clamp and soft felt mat high quality gold RCA connectors and detachable phono cable adjustable tip toe feet with anti scratch cups low noise fully manual belt drive design built-in round spirit level for proper leveling dust cover and 45rpm adaptor included excellent instruction manual and easy assembly Learn More

  • MUSIC HALL MMF-5.3SE

    MUSIC HALL MMF-5.3SE

    mmf-5.3se The music hall mmf-5.3 Special Edition turntable is a 2-speed belt driven audiophile turntable employing the unique dual-plinth construction originated by music hall. The mmf-5.3se comes complete with an Ortofon 2M Bronze cartridge. feature list music hall’s unique dual-plinth construction gorgeous and classic-looking rosenut real wood veneer finish sorbothane isolation orbs Top tier 9” alloy tonearm with flexible internal wire drawn from high purity copper counterweight’s center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper DC synchronous motor for superior speed stability, separately isolated on the lower platform two-speed stepped motor pulley for 33⅓ and 45 rpm Ortofon 2M Bronze cartridge with replaceable nude fine line diamond stylus ($440 value) the cartridge supplied is properly aligned and mounted precision stainless steel main bearing sheathed in Teflon® for noise-free fluid operation main bearing provides noise free fluid operation dynamically balanced alloy platter with soft felt mat screw-on record clamp high quality gold RCA connectors and detachable phono cable special vibration damping adjustable feet built-in round spirit level for proper leveling low noise fully manual belt drive design excellent instruction manual and easy assembly dust cover and 45rpm adaptor included Learn More

  • MUSIC HALL MMF-5.3WH

    MUSIC HALL MMF-5.3WH

    mmf-5.3wh The music hall mmf-5.3wh turntable is a two speed belt driven audiophile turntable employing the unique dual-plinth construction originated by music hall. feature list music hall’s unique dual plinth construction gorgeous high gloss white finish top tier 9” carbon fiber tonearm with flexible internal wire drawn from high purity copper flexible internal tonearm wire drawn from high purity copper counterweight’s center of gravity is level with the stylus tip resonance damping counterweight is decoupled from the tonearm separately isolated asynchronous motor two speed (33/45 rpm) pulley Ortofon 2M Blue cartridge with replaceable nude elliptical diamond stylus ($236 value) cartridge supplied is mounted and properly aligned precision stainless steel main bearing sheathed in teflon main bearing provides noise free fluid operation dynamically balanced alloy platter soft felt mat and screw on record clamp high quality gold rca connectors and detachable phono cable special vibration damping adjustable feet and round spirit level low noise fully manual belt drive design excellent instruction manual and easy assembly dust cover and 45rpm adaptor Learn More

  • MUSIC HALL mmf-5.3le

    MUSIC HALL mmf-5.3le

    mmf-5.3le The music hall mmf-5.3le turntable is a two speed belt driven audiophile turntable, WITH SPECIAL FERRARI RED PLINTH, employing the unique dual-plinth construction originated by music hall. feature list music hall’s unique dual-plinth construction gorgeous high-gloss Ferrari red lacquer finish top tier 9” carbon fiber tonearm with flexible internal wire drawn from high purity copper counterweight’s center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper DC synchronous motor for superior speed stability, separately isolated on the lower platform two-speed stepped motor pulley for 33⅓ and 45 rpm Ortofon 2M Blue cartridge with replaceable nude elliptical diamond stylus ($236 value) the cartridge supplied is properly aligned and mounted precision stainless steel main bearing sheathed in Teflon for noise-free fluid operation dynamically balanced alloy platter with soft felt mat screw-on record clamp high quality gold RCA connectors and detachable phono cable special vibration damping adjustable feet built-in round spirit level for proper leveling low noise fully manual belt-drive design excellent instruction manual and easy assembly dust cover and 45 rpm adaptor included Learn More

  • MUSIC HALL MMF-5.3

    MUSIC HALL MMF-5.3

    mmf-5.3se The music hall mmf-5.3 Special Edition turntable is a 2-speed belt driven audiophile turntable employing the unique dual-plinth construction originated by music hall. The mmf-5.3se comes complete with an Ortofon 2M Bronze cartridge. feature list music hall’s unique dual-plinth construction gorgeous and classic-looking rosenut real wood veneer finish sorbothane isolation orbs Top tier 9” alloy tonearm with flexible internal wire drawn from high purity copper counterweight’s center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper DC synchronous motor for superior speed stability, separately isolated on the lower platform two-speed stepped motor pulley for 33⅓ and 45 rpm Ortofon 2M Bronze cartridge with replaceable nude fine line diamond stylus ($440 value) the cartridge supplied is properly aligned and mounted precision stainless steel main bearing sheathed in Teflon® for noise-free fluid operation main bearing provides noise free fluid operation dynamically balanced alloy platter with soft felt mat screw-on record clamp high quality gold RCA connectors and detachable phono cable special vibration damping adjustable feet built-in round spirit level for proper leveling low noise fully manual belt drive design excellent instruction manual and easy assembly dust cover and 45rpm adaptor included Learn More

  • MUSIC HALL MMF-2.3SE

    MUSIC HALL MMF-2.3SE

    Music Hall - MMF-2.3SE - 2-Speed Manual Audiophile Turntable The Music Hall MMF-2.3 Special Edition turntable is a 2-speed, belt-driven audiophile turntable with special rosenut real wood veneer finish. It is constructed using high quality components and it comes complete with a tonearm and cartridge mounted. The construction of the MMF-2.3SE has been simplified to focus on the critical components; the bearing, the motor, and the tonearm. Learn More

  • MUSIC HALL MMF-2.3WH

    MUSIC HALL MMF-2.3WH

    feature list gorgeous high gloss white lacquer finish special vibration damping adjustable feet top tier 8.6” carbon fiber tonearm with aluminum headshell low noise fully manual belt-drive design separately isolated DC synchronous motor for superior speed stability two-speed stepped motor pulley for 33⅓ and 45 rpm music hall Spirit moving-magnet cartridge with replaceable elliptical stylus ($100 value) the cartridge supplied is properly aligned and mounted high precision stainless steel and bronze bearing assembly for quiet fluid operation high quality gold RCA connectors with detachable phono cable full-size alloy platter and felt mat excellent instruction manual quick and easy to assemble dust cover and 45 rpm adaptor Learn More

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