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  • Krell Evolution 1 reference monos  $27000/pr  SOLD

    Krell Evolution 1 reference monos $27000/pr SOLD

    KRELL EVO 1 Dan's last reference amplifiers at Krell. Four chassis, in excellent condition, factory sealed after refurb SOLD $27000/pair Learn More

  • Krell Altair

    Krell Altair

    Krell Altair Reference $5500 low profile amplifier with separate power supply from the 1990's. Original boxes Designed as a reference amplifier for apartment sized systems. Power suppy caps just recapped. Learn More

  • Krell 450mcx single mono

    Krell 450mcx single mono

    Krell 450mcx single mono just serviced. (this is a factory upgraded 350mc) Learn More

  • Krell (all models)

    Krell (all models)

    We are authorized dealers for all Krell products. Please inquire about any product. Learn More

  • Kinergetics Subwoofer amplifier

  • Kenwood LO7 monoblocks

    Kenwood LO7 monoblocks

    classics \Power output: 150W into 8Ω (mono) Frequency response: 1Hz to 50kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 1V Signal to noise ratio: 120dB Speaker load impedance: 4Ω to 16Ω Dimensions: 200 x 155 x 390mm Weight: 13kg Learn More

  • Jeff Rowland Model 201

    Jeff Rowland Model 201

    Jeff Rowland imaging, staging, and musicality in a beautifully crafted monoblock chassis capable of capturing the often elusive music and theater experience with grace and authority. Model 201 delivers a compelling musical experience with a linear frequency extension that ranges from a deep pitched bass to a textured treble, with rippling harmonics and nuanced low level resolution. This work of art, in both sight and sound, is a true Rowland. Housed in an elegant and compact chassis milled from aircraft-grade Aluminum ingots, the Model 201 monoblock power amplifier has been created to exacting JRDG artistic and engineering standards. The advanced green technology that delivers its refined performance, make the Model 201 monoblock power amplifier ideal for the most sophisticated stereo and multi-channel audio systems at a real world price. This is a used item that looks like new Learn More

  • Jeff Rowland Design Group Model 5 (last version)

    Jeff Rowland Design Group Model 5 (last version)

    A classic, musical, large, best example of a Jeff Rowland Design Model 5 stereo amplifier Power Bandwidth 0.15 Hz to 250 kHz, -3 dB. - Slew Rate 75 volts per microsecond. - Damping Factor Greater than 175, 20 Hz to 20 kHz, 8 ohms. - Output Current 40 amps peak, continuous. - Sensitivity 36 mV, 1 watt, 8 ohms. - Input Impedance Selectable: 100k, 20k, 600 ohms. - Power Requirements 100V-240V. Learn More

  • Hafler DH220

    Hafler DH220

    Hafler DH220, two available. The DH-220 circuit is a refinement of the DH-200 design, a Hafler landmark which has achieved worldwide recognition, and has elicited glowing reviews since its 1979 introduction. As in the DH-110 preamplifier, particular attention has been paid to component quality, using polypropylene or film capacitors wherever feasible, for example, for superior sound. Combining the latest power MOSFET technology with uniquely simple and effective circuit topology reduces distortion of all types, and at all power levels, over the full audio frequency spectrum, to the vanishing point. Specifications Power output: 115 watts per channel into 8Ω (stereo) Frequency response: 6Hz to 60kHz Total harmonic distortion: 0.02% Damping factor: 60 Input sensitivity: 1.55V Signal to noise ratio: 100dB Semiconductors: 26 x transistors, 8 x MOSfet, 29 x diodes, 4 x zener diodes, 1 x diode bridge Dimensions: 5-1/8 x 16 x 10-1/2 inches Weight: 26lbs Learn More

  • Goldmund Mimesis 9.2 mono amplifiers

    Goldmund Mimesis 9.2 mono amplifiers

    Goldmund Mimesis 9.2 275 watts per channel mono block power amplifiers one of the best sounding amplifiers from this qulaity company Learn More

  • Goldmund Mimesis 9

    Goldmund Mimesis 9

    Goldmund Mimesis 9 invery nice condition, shipping dimensions: 25x25x16 180 lbs low fedex rates, send your postal code. Goldmund is a Swiss manufacturer that produced highly sought after high end power amplifiers. The Mimesis 9 is considered to be one of the most legendary solid state power amplifiers that they produced. It originally retailed around $14,000. The Mimesis 9 with it Swiss craftsmanship is a true reference amplifier. The Mimesis 9 has deep bass, forward strong sounding mids and crystal clear highs. By design the output for this amp is transformer coupled for a balanced and defined sonic image Learn More

  • Emotiva XPA-2

    Emotiva XPA-2

    Emotiva XPA-2 Modular channel design for greater channel separation. Automatic 120/230 AC voltage detection and switching. Multi segment bar graph output level meters with clip detect. Metering and status LED on/off switches. Fully protected from all fault conditions. Soft start circuitry. Advanced microprocessor operating system. External trigger turn on. Soft touch power switch. 4RU chassis w/ solid 15mm milled aluminum faceplate. IEC power inlet. Output topology: discrete triple Darlington with On Semi output devices. Input topology: dual differential input. Input: balanced (XLR) and unbalanced (RCA), switchable. Output: audiophile quality 5 way binding posts. Display type: digital status indicators. XPA-2 2 Channel Audio Power Amplifier 250 watts RMS x 2 into 8 ohms, 500 watts RMS x 2 into 4 ohms Learn More

  • Emotiva XPA-100

    Emotiva XPA-100

    Emotiva XPA-100 used original box Audiophile monoblock (one channel) amplifier; 400 watts @ 4 Ohms; 250 watts @ 8 Ohms Fully discrete signal path, with class A/B output stage and massive power reserves Balanced and unbalanced inputs; dual full-sized speaker outputs to facilitate bi-wiring Microprocessor operating system with full fault protection and status indicators Low profile 2RU chassis lets you fit five XPA-100s in a single rack. Learn More

  • Dynaco Stereo 120 (3) and PAT 4 preamp

    Dynaco Stereo 120 (3) and PAT 4 preamp

    You can purchase each item individually. We have one 120 that we just replaced the coupling caps and resoldered the board as needed. That's $250 Inquire The Dynaco Stereo 120 is an all silicon transistor basic power amplifier for use with separate preamplifiers such as the Dynaco PAT-4 or PAT-5, or for use with tape recorders or tuners such as the FM-5 or AF-6, which have their own volume controls. The unit contains two 60 watt amplifiers on one chassis with a common power supply. Although the Stereo 120 is a solid state device, containing transistors and similar semiconductors, it has been designed to be used under normal conditions without special safety precautions, just as if it were a high grade tube amplifier. Thus it can be connected to source and speaker components and used with confidence in all conventional arrangements. There are no circuit breakers, speaker fuses, or other resettable devices to impede the use of the Stereo 120 under any reasonable conditions of use or abuse. This is achieved by using novel circuits (on which patents are pending) which automatically and instantly protect the amplifier. Specifications Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 5Hz to 100kHz Total harmonic distortion: 0.5% Damping factor: 40 Input sensitivity: 1.5V Signal to noise ratio: 95dB Speaker load impedance: 4Ω to 16Ω Semiconductors: 15 x transistors, 15 x diodes Dimensions: 13 x 10.5 x 4 inches Weight: 20lbs Learn More

  • Definitive Audio SubAmp 600  sold

    Definitive Audio SubAmp 600 sold

    Definitive Audio SubAmp 600 in good condition sold Outboard amplifier for Definitive (or other) in-wall subwoofers Drives either one or two subwoofers Volume, Low-pass crossover and phase adjustments Five-way binding post speaker connectors The SubAmp 600 is a high powered amplifier and electronic crossover specifically engineered for use with the Definitive IWSub 10/10 and IWSub References in-wall subwoofers. It features two discrete high power amplifiers with simple connections in one convenient housing that fits easily on a shelf or in an audio equipment rack. It provides optimal power for effortlessly driving one or two IWSubs, in the same room or in different zones. It also provides crossover functions for the system and level, low-pass crossover frequency and phase can all be adjusted with convenient front-panel control knobs. http://www.definitivetech.com/products/subamp-600 Learn More

  • D'agostino Momentum Mono Amplifiers

    D'agostino Momentum Mono Amplifiers

    D'agostino Momentum Mono Amplifiers, one owner since new, very light use original flight cases Description: Solid-state monoblock power amplifier. Inputs: 1 balanced (XLR). Output power: 300W into 8 ohms, 600W into 4 ohms, 1200W into 2 ohms (all equivalent to 24.8dBW). Voltage gain, input impedance, output impedance: all not specified. Frequency response: 1Hz–200kHz, –1dB; 20Hz–20kHz, ±0.1dB. THD (300W at 8 ohms): 0.1% at 1kHz. Signal/noise: 105dB, unweighted (no reference given). Dimensions: 12.5" (317.5mm) W by 5" (127mm) H by 21" (533.4mm) D. Weight: 95 lbs (43kg). Please inquire with your zip code for shipping rate Learn More

  • Crown Reference 1

    Crown Reference 1

    Crown Reference 1 ships to you in 6/2017 Reference I (120 V, 60 Hz models) The Crown® Studio Reference I power amplifier shall be a solid-state two-channel model employing multi-mode (AB+B) grounded bridge(TM) output circuitry with a variable impedance (VZ) power supply for each channel. The outputs shall be switchable as stereo, bridged-mono or parallel-mono modes of operation. The bridged-mono mode shall bridge the outputs to provide increased output voltage. The parallel-mono mode shall parallel the outputs to provide increased output current. The output impedance of each channel shall be less than 10 milliohms in series with less than 2 microhenries in stereo mode. The variable impedance power supplies shall reduce unnecessary voltage across the output devices by automatically switching to a parallel mode when less voltage is required by the output circuitry and to a series mode when more voltage is required. The amplifier shall contain protection circuitry which limits the drive level placed on the output devices before their SOA (Safe Operating Area) is exceeded. This protection circuitry shall calculate the instantaneous voltage across and current through the output devices while factoring in their simulated junction temperatures to predict how close they are to their operating limits. This protection will be called “ODEP.” The amplifier shall contain controlled slew-rate voltage circuitry to protect it against radio frequency interference burnouts. It shall also be protected from current overload at its output stage. The slew rate of the amplifier shall be greater than 30 volts per microsecond in stereo mode. The amplifier shall temporarily go into a stand-by mode if its power transformer becomes excessively hot and shall automatically resume normal operation once it has cooled to a safe operating temperature. Front-panel controls shall include an enable on/off switch and a detented input level control for each channel. Rear-mounted controls shall include a ground lift switch to isolate the signal ground from the chassis ground, a switch which selects between stereo, bridged-mono and parallel-mono modes of operation and a reset switch for the AC mains circuit breaker. Internal controls shall include an input sensitivity switch to select between 0.775 V, 1.4 V or a fixed voltage gain of 26 dB for full rated output. A Crown P.I.P. and P.I.P.2-compatible expansion connector shall be provided behind an access panel in the rear to accept auxiliary input modules. It shall be fully compatible with the Crown IQ System. Front panel indicators shall include an amber power enable indicator, an amber ODEP protection system indicator for each channel which shall normally be illuminated to confirm the availability of reserve thermodynamic energy and which shall dim in proportion to limiting when the power demands of the output stages have been exceeded, a green IOC indicator for each channel, and a green Signal indicator for each channel which shall normally flash at moderate intensity to show the presence of an audio signal. The power amplifier shall meet or exceed the following performance criteria. Input sensitivity for rated output: 26 dB voltage gain (unbalanced). Rated FTC output in stereo mode with less than 0.1% THD: 780watts per channel (20 Hz to 20 kHz) into 8 ohms. Hum and noise: at least 120 dB (A weighted) below full rated output power. Phase response: +5 to –15 degrees from 20 Hz to 20 kHz at 1 watt. Frequency response: 20 Hz to 20 kHz, 0.1 dB at 1 watt into 8 ohms per channel in stereo mode. Damping factor: greater than 20,000 from 10 to 200 Hz into 8 ohms. Intermodulation distortion (SMPTE): less than 0.005% from full bandwidth power to 78 watts rising linearly to better than 70 dB at 20 kHz. Harmonic distortion: less than 0.02% at rated low-distortion 1 kHz power. The amplifier shall be safe when driving any kind of load—even highly reactive ones. The power requirements shall be 120 VAC at 60 Hz. At idle, the amplifier shall draw 90 watts or less. The amplifier chassis shall be constructed of steel with a durable black finish and shall be designed for flow-through fan-assisted ventilation from the front panel to the side panels. The amplifier shall have an aluminum front panel with super-gloss Imron finish and Lexan overlay. The dimensions of the amplifier shall allow for 19 inch (48.3 cm) EIA standard (RS- 310-B) rack mounting. The amplifier shall be 7 inches (17.8 cm) tall, 16 inches (40.6 cm) deep behind the rack-mounting surface, and 2.75 inches (7 cm) in front of the rack-mounting surface. The amplifier shall weigh 60 pounds, 11 ounces (27.6 kg) and shall have a center of gravity approximately 6 inches (15.2 cm) behind the front panel. The amplifier shall be designated the Crown Studio Reference Learn More

  • Crown PS-400 power amplifier

    Crown PS-400 power amplifier

    Power output: 165 watts per channel into 8Ω (stereo), 530W into 8Ω (mono) Frequency response: 1Hz to 20kHz Total harmonic distortion: 0.05% Damping factor: 400 Gain: 26.3 dB Input sensitivity: 1.76V Speaker load impedance: 4Ω to 8Ω Dimensions: 483 x 178 x 257mm Weight: 24.9kg Learn More

  • Conrad Johnson MF2500

    Conrad Johnson MF2500

    Conrad Johnson MF2500 used, very nice condition with original box/pac ki ng We can ship this in your desired voltage Like many Conrad-Johnson designs, the MF2500's higher performance goals have been attained through experience and the refinement of established circuits, not by some magic new topology that's claimed to solve all previously known audio-fidelity problems. Thus the input stage is a standard differential circuit executed with FETs. The second stage comprises a buffered voltage-gain amplifier, and uses bipolar transistors. It drives a regular class-A/B push-pull bipolar output stage, which is direct-coupled to the speaker. The output stage is run at quite a low idle power, which partly explains why the amplifier takes a little time to get up to speed from a cold start (footnote 1). But it does mean that the amplifier does not run too hot to touch. While some of the MF2500's technology is derived from the older MF2300A (reviewed in October 1996), the big change has been from FET to bipolar output devices. In this circuit, at least, bipolars confer greater gain stability with output load and current variations, imparting a more consistent and more dynamic sound quality. The MF2500 has high-current, resin-encapsulated Sanken power transistors: two 2SC3281 and two SA1302 devices are paralleled for each channel's output stage. These transistors have good thermal properties, high-quality electrical connections to their junctions, and are endowed with good safe-operating areas. This means the amplifier can be protected with simple quick-blow fuses. C-J favors a predominantly low-order distortion spectrum in which some second harmonic is designed to dominate the distortion residual, this in the MF2500 courtesy of the input FETs. Minimal loop negative feedback is used, in this case just 12.5dB, or approximately 4x. (Some amplifiers may run with x1000 to x10,000 of feedback.) As Lew Johnson explained, "the more the performance of the basic circuits was improved from the new MF series, the more important was the upgrading of individual component quality. Then negative feedback could be reduced yet again." The MF2500's regulation topology is of Premier quality. For example, the input stage has its own transformer tap stabilized at a voltage higher than the output stage requirement. Discrete open-loop regulators have audiophile-grade polystyrene and polypropylene capacitors. Only the main current reservoirs are electrolytic, but here there is no choice. Voltage-reference and feedback-control resistors are costly metal-foil Vishays. Six 10,000µF Nichicon electrolytics form the central reservoirs for both channels, giving a total of 30,000µF per DC supply phase and ensuring good current delivery at low frequencies. The massive EI-lamination transformer has split secondary sections to feed the various regulators. I also counted no fewer than 22 of C-J's exclusive lead-foil, large-value polystyrene capacitors, plus eight higher-value, audiophile-grade polypropylene caps. Hardware The MF2500's 3/8" alloy front panel is anodized in C-J's traditional gold, while the rest is finished in satin-black textured enamel. The baseplate can be removed to access the underside of the printed circuit board. The only control is a front-panel power switch, and there's no soft start. The heavy transformer is affixed to the right side of the chassis, while the single, external, full-size finned heatsink is to the left. The inputs are single-ended phono sockets, the outputs 5-way binding posts, all gold-plated. Thermal protection is via a self-resetting thermal trip circuit. The power cord is a captive three-core type. Listening I found I preferred to leave the MF2500 on most of the time, its low idle power proving a blessing. The amplifier also benefited from extended break-in. In some respects, the MF2500 gave an understated view of musical events—with casual listening it's possible to dismiss it on grounds of a lack of forthrightness for its rather measured pace, and an almost rich, distant presentation. Yet, over the long term, and along with its even-tempered if slightly sweet tonal balance, it was the very absence of a forced or excitable character, false hardness, or excessive attack that endeared the MF2500 to me. There was a sense of ease; aural fatigue was significantly lower than usual for this class of amplifier. Just when I thought I'd got about as much out of the MF2500 as I was going to get, it got better by stages. Elements of this sound—almost a tube experience—had been dimly evident in earlier solid-state amplifiers from C-J. But some of the necessary tonal consistency, fine textures, vitality, and clarity were not expressed well enough to make those models truly viable alternatives. Their FET output stages suffered from some variations in both clarity and tonal color with reproduced sound level, this to some degree also dependent on the loudspeaker load and the program complexity. In the case of the MF2500, two key aspects have become firmly established. First, this amplifier offered the ability to play all the way to full output with consistent quality. Second, while the MF2500 won't put C-J's Premier Eight A monoblocks out of business, or even the smaller Premier Eleven A, its sound conveyed much of the general nature of a fine tube amplifier—a classic type of moderate negative feedback, wide bandwidth, and linear, push-pull design—coupled with greater dynamic range and sheer load-driving grunt. Tonal colors were natural, never strident, thin, or hard. While the bass didn't have the kind of deeply extended impact of the biggest, most costly reference amplifiers, it was satisfying. Not only was the bass powerful—more than sufficient to do justice to cathedral organ at full stretch, and able to carry the low-frequency presence of a large symphony orchestra—it was also articulate, in terms of both detail and tune-playing. The bass also had a kind of bouncy, springy recovery that lent drive and interest to rhythm bass lines on jazz and classic rock. Through the midrange, the MF2500 had a thermionic tonal poise that appeared to have a payoff in terms of natural image depth and perspective. While the amplifier's transparency was rated fairly well, the natural tonality helped create coherent, focused well-layered images. Stage width also rated above average, if a little more like that of a fine moving-coil cartridge than a CD source. In the upper frequencies, the amplifier remained even tempered, well balanced, and even quite delicately resolved. String tone was nicely presented, and no false edge or breathiness was added to vocal sibilants. In fact, vocals in general were handled with near-tubelike quality and good clarity, and the inner harmonies of massed choir were well read, with well-maintained perspectives. Within that slightly "relaxed" temperament, the MF2500 nevertheless managed to pack quite a punch—this is a bighearted amplifier, and sounds it. As it continued to break-in and I grew more familiar with its balance, musical values asserted themselves. Pace, rhythm, and timing, plus dynamic resolution, were all rated significantly above average. On my personal scoring scale, this amplifier achieved a commendable 22 points, a significantly good result for type and price. Conclusion Conrad-Johnson's MF2500 is a successful product on many grounds. It closely approaches the classic tonal character of a fine tubed amplifier—a C-J hallmark—and holds on to that quality over a great range of output power and possible speaker loading. Not easy to accomplish. It also avoids the cheap, quick thrill of a bright, fast, forward sound. Instead, it builds on quality and depth of performance to achieve its commendable rating. Its sound is musically entertaining without being hyperactive, while its broad, bighearted approach is easy on the ears. All kinds of music were handled with equanimity. In the lab, the MF2500's high output power and good load tolerance were confirmed. The amplifier could dump up to 900Wpc into 2 ohm loads for short-term peaks, and cruise happily at around 300Wpc driving 8 ohm loads. This matches the attainment of significantly more costly amplifiers. Except for the modest channel separation at high frequencies, no test result gave rise to concern. Well-built and well-finished, with effective if old-fashioned circuit protection, the MF2500 idled at quite low power and could be safely left on for extended listening periods. This musically well-balanced powerhouse represents fine dollar value, and wins a warm recommendation. Read more at http://www.stereophile.com/solidpoweramps/1299cj/index.html#rBtsA65UcjrOiMpq.99 Learn More

  • Classe CA-400

    Classe CA-400

    Classe CA-400 available to ship 6/2017 Owner's manual: file:///C:/Users/Steve/Downloads/CA-400-OM.pdf Power output: 400 watts per channel into 8Ω (stereo), 1400W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.004% Gain: 29.02 dB Input sensitivity: 1.9V Signal to noise ratio: 137dB Speaker load impedance: 4Ω (minimum) Dimensions: 19 x 23 x 9.5 inches Weight: 120lbs Learn More

  • Classe CA-101 power amplifier

    Classe CA-101 power amplifier

    Power output: 100 watts per channel into 8Ω (stereo), 350W into 8Ω (mono) Frequency response: 20Hz to 20kHz Classe CA-101 power amplifier Total harmonic distortion: 0.03% Gain: 29.02 dB Input sensitivity: 0.95V Signal to noise ratio: 128dB Speaker load impedance: 4Ω (minimum) Dimensions: 482.6 x 362 x 139.7mm Weight: 15.45kg Learn More

  • Cello Trio 3 channel amplifier

    Cello Trio 3 channel amplifier

    Cello Trio 3 channel amplifier 200 watts / channel x 3 channels, rare Learn More

  • Cello Performance Four Chassis Mono Amplifiers

    Cello Performance Four Chassis Mono Amplifiers

    Still one of the better amps out there. Four chassis. We have replaced all the large capacitors with new Chemicons and some of the signal caps also. Product Specifications: Class of operation: Class AB1 Power Output (single amp): @8 Ohms Rated: 200 Watts Clipping: @1000 Hz >350 Watts @4 Ohms Rated: 400 Watts Clipping: @1000 Hz >700 Watts @2 Ohms Rated: 800 Watts Clipping: @1000 Hz >1000 Watts @1 Ohm Rated: 1000 Watts Clipping: @1000 Hz >1300 Watts Power Output (bridged set): @8 Ohms Rated: 800 Watts Clipping: @1000 Hz >1400 Watts @4 Ohms Rated: 1600 Watts Clipping: @1000 Hz >2800 Watts @2 Ohms Rated: 3200 Watts Clipping: @1000 Hz >4000 Watts IMD (SMPTE): 0.13% (60 Hz / 40V Output) IMD (CCIF): <0.2% THD (20 - 20000Hz): <0.1% (8 & 4 Ohms / 40 Volt Output) Frequency Response: +0 / -0.8 dB @ 20 - 20000 Hz Dynamic Headroom: 2.7 dB Channel Separation: Infinite Signal to Noise: < -105 dB (1000 Hz / 40 Volt Output) Input Sensitivity: 1.485 V (8 Ohms / 200 Watts / 40 Volt Output) Input Impedance: 1 mOhm (Non-Inverting) 5000 Ohms (Inverting) Learn More

  • Cello Encore 50 monos

    Cello Encore 50 monos

    Low fedex rates to the world, very musical, we can ship this in any voltage. Just recapped 1/17. This matched serial number 0161 pair has two aftermarket gold chassis tuning dots on each (from Combak in the picture) that can simply be removed by peeling them off with your fingernail For the more technically inclined, the Encore amplifiers utilize a dual monolithic J-FET input stage and two pairs of 250 watt, metal case, bipolar output devices per channel to produce a whopping 500 watts per channel into 8 ohm load. The principle reason for choosing these devices was, "they [bipolar devices] remain stable with a less complex circuit, requiring less negative feedback and are easier to match to each other than other possible choices for this stage. ‘ As with the original amplifier, the Encore amplifier borrows the Performance's original driver boards that are updated with modern parts. Learn More

  • Cello Duet 350 stereo

    Cello Duet 350 stereo

    Cello Duet 350 stereo, bench tested Owner's manual: http://www.matthew-james.net/Customer-Content/WWW/CMS/files/Duet-350-Owners.pdf Learn More

  • Bryston 6b

    Bryston 6b

    Bryston 6b just in, good condition. three available price is for each a three-channel powerhouse capable of 250 watts/channel into an 8-ohm load or a whopping 400 watts into 4. The 6B-ST is actually a rack-mountable chassis housing three fully modular mono power amps, each with its own independent power supply with over 40,000 MFD of filter capacitance. This design not only improves the 6B's reliability, but also reduces interchannel crosstalk to vanishingly low levels. Only a soft-start AC circuit is shared by the three channels, each of which has its own indicator LED. Two 6B-STs will provide all the power needed for a full-range surround system. A pair can also be used to bi-amp or tri-amp high-performance stereo loudspeakers. Each amplifier module features a three-position gain switch for balanced or unbalanced inputs, and a polarity switch to make speaker-to-speaker phase alignment easy. A remote 12-volt trigger allows the amp to be switched on or off by a similarly equipped preamp. The Bryston 6B-measures 19" W (standard rack mount black faceplate) x 19" D x 7" H and weighs 85lbs. A silver faceplate is available as an option, as is a 17" version without handles. Like all Bryston products, the 6B-ST carries a 20-year warranty. Learn More

  • Bryston 4B Pro

    Bryston 4B Pro

    checked up at factory last year, with xlr jacks 250watt/channel well reviewed Learn More

  • Bryston 4b

    Bryston 4b

    In fair condition.. some scratches Description: Solid-state stereo power amplifier. Output power: 250W continuous into 8 ohms (24dBW), 400Wpc rms continuous into 4 ohms (23dBW); 800W continuous into 8 ohms in bridged mode (29dBW). Current delivery: 16A continuous, 48A peak, per channel. Frequency response: 1Hz–100kHz, ±3dB for 1W output. S/N Ratio: hum and noise, 108dB below rated output, 90dB IHF. Input sensitivity: 1.4V for 250Wpc into 8 ohms. Voltage gain: 30dB. THD+noise: 20Hz–20kHz, 0.01%. IM distortion (60Hz+7kHz, 4:1, SMPTE method): less than 0.01% at rated power. Damping factor: greater than 500 at 20Hz, at 8 ohms (equivalent to an output impedance of less than 0.016 ohms). Input impedance: 50k ohms unbalanced, 30k ohms balanced. Polarity: non-inverting. Dimensions: 16 3/16" (411mm) W by 7 1/8" (181mm) H by 13½" (343mm) D. Weight: 40.1 lbs (20.2kg) net. Learn More

  • Bryston 3bTHX

    Bryston 3bTHX

    12volt on off trigger Description: Solid-state stereo power amplifier. Output power: 120W continuous into 8 ohms (20.8dBW), 200Wpc continuous into 4 ohms (20dBW); 400W continuous into 8 ohms in bridged mode (26dBW). Distortion: 0.007% at 120W, 20Hz-20kHz, IM (60Hz+7kHz, 4:1, SMPTE method) or THD. S/N ratio: 106dB ref. rated output, 90dB IHF. Slew rate: >60V/µs. Damping factor: >500 at 20Hz ref. 8 ohms, equivalent to an output impedance of 0.016 ohms. Input sensitivity: 1V for 120Wpc into 8 ohms; 2V for full output, balanced. Input impedance: 50k ohms unbalanced, 20k ohms balanced. Polarity: non-inverting. Dimensions: 19" (482.5mm) W by 5.25" (133mm) H by 9" (228mm) D. Weight: 22 lbs (10kg). Learn More

  • Boston Acoustics SA1 140 watt subwoofer amplifier

    Boston Acoustics SA1 140 watt subwoofer amplifier

    Subwoofer amplifier with built in crossover $600 retail http://www.bostonacoustics.com/US/Product/Pages/ProductDetail.aspx?CatId=HomeAudio(BostonAcoustics_US)&SubCatId=Accessories(BostonAcoustics_US)&Pid=SA1(BostonAcoustics) Learn More

  • BAT Balanced Audio Technology VK6200  A BEAST OF AN AMP   two available, inquire  This listing is for a three channel in pic

    BAT Balanced Audio Technology VK6200 A BEAST OF AN AMP two available, inquire This listing is for a three channel in pic

    BAT Balanced Audio Technology VK6200 two channels onboard up to four available, inquire before purchasing THE ULTIMATE IN FLEXIBILITY In its two-channel configuration, the VK-6200 often outperforms reference-level audio amplifiers. In multichannel mode, it serves as an ideal solution for power bi-amping, tri-amping, or multi-room audio systems where exacting sound quality is required. Imagine matching a three-channel VK-6200 with our VK-655SE or REX II monoblocks to create a five-channel home theater. Or, apply the VK-6200 in a four-channel configuration for the ultimate in power bi-amping for two-channel stereo. Want to fully load the VK-6200 with six channels to create a standard-setting 6.1-channel theater? No problem. Such extraordinary versatility and rational upgrade path mean you’ll love the VK-6200 in every imaginable application. VK-6200 Amplifier Output per channel at 8Ω/4Ω 200W / 400W Conversion to Mono? 2,3,4,5 or 6 channels Output in Mono Configuration 8Ω/4Ω n/a Frequency Response 2Hz to 180kHz THD at full power 0.1% Input Impedance 50 kΩ Gain (Nominal into 8Ω) 23dB Balanced / 29dB Single-Ended Tube Complement n/a Number of Power Cords 1 Remote Control 12V Trigger Input & Output Power Consumption (Idle/Full Power) 80W/1800W (w/ 6 channels) Dimensions (WHD) Inches 19" x 10.5" x 23" Dimensions (WHD) mm 480 x 280 x 580 Weight 100 - 180 Lbs Learn More

  • Balanced Audio Technology VK-6200

    Balanced Audio Technology VK-6200

    Balanced Audio Technology VK-6200 Balanced Audio Technology’s groundbreaking VK-6200 multichannel power amplifier satisfies the demands of the most sophisticated home-theater system while simultaneously playing music with the characteristic open, uncompromised sound that has become a BAT hallmark. Until now, the compromises required to fit several channels of amplification into a single chassis have restricted sound quality—even for high-end components. Competitors’ best designs often require an expensive commitment to buy a “fully loaded” configuration. The VK-6200 is different. Its modular design accommodates up to six discrete 200-watt amplifier modules. Fully balanced, the VK-6200 can also be purchased in any configuration—from two to six channels. Output per channel at 8Ω/4Ω 200W / 400W Conversion to Mono? 2,3,4,5 or 6 channels Output in Mono Configuration 8Ω/4Ω n/a Frequency Response 2Hz to 180kHz THD at full power 0.1% Input Impedance 50 kΩ Gain (Nominal into 8Ω) 23dB Balanced / 29dB Single-Ended Tube Complement n/a Number of Power Cords 1 Remote Control 12V Trigger Input & Output Power Consumption (Idle/Full Power) 80W/1800W (w/ 6 channels) Dimensions (WHD) Inches 19" x 10.5" x 23" Dimensions (WHD) mm 480 x 280 x 580 Weight 100 - 180 Lbs Learn More

  • Audio Research D52B

    Audio Research D52B

    solid state amplifier, unused in over 20 years, very nice condition, tech checked 11/16 50 watts per channel minimum RMS (both channels operating) at 8 ohms from 1 Hz to 20 kHz with less than .25% total harmonic distortion. Typically less than .02% at rated power in midband. Approximate actual power available per channel at "clipping" (both ch. op.): 80 (4 ohms), 60 (8 ohms), 35 (16 ohms) Power bandwidth Frequency response 0.05 Hz to 100 Khz (-3 db) Input sensitivity 1.1 Volts RMS for rated power and load. Input impedance 30 Kohms (nominal). Output taps Output regulation Overall negative feedback Damping factor More than 500 at rated power and load (20 Hz to 20 kHz). (Effective internal impedance approximately .012 ohms.) Distortion Intermodulation distortion: Less than .1% at rated output (56.56 V p to p) and load (SMPTE method). THD and IMD both decrease with decreasing output. Slew rate Rise time Hum & noise Wide-band, unweighted, more than 90 dB below 50 watts at 8 ohms - power line components (hum) more than 80 dB below 50 watts at 8 ohms. Power supply energy storage Power requirements 105-120/210-240 VAC, 50/60 Hz, 600 watts maximum. 120 watts at idle. 300 watts at rated power. Other Dimensions 19" (48 cm) W x 5 ¼" (13 cm) H (standard rack mount panel size) x 10 ½ (26.7 cm) D (front panel back). Handles extend 1 ½" (3.8 cm) forward of the front panel. Weight 39 lbs. (17.7 kg) Net, 45 lbs. (20.5 kg) Shipping Learn More

  • Audio Research  HD-220 Hybrid Power amplifier

    Audio Research HD-220 Hybrid Power amplifier

    Audio Research HD-220 Power amplifier Power output 220 watts per channel into 8 ohms from 20Hz to 20kHz. 380 watts per channel into 4 ohms. Power bandwidth Frequency response (-3dB points at 1 watt) 0.5Hz to 200 kHz Input sensitivity 4.0V RMS BAL for rated output. (20.8 dB Bal gain into 8 ohms.) Input impedance 300K ohms Balanced, 150k ohms SE Output taps Output regulation Approximately 0.07dB 8 ohm load to open circuit Overall negative feedback None Damping factor Approximately 130 Distortion Slew rate Rise time Hum & noise Less than 0.1mV RMS -112dB below rated output (IHF weighted, input shorted). Power supply energy storage 200,000 µF Power requirements 105-125VAC 60Hz (210-250VAC 50 Hz) 750 watts at rated output (220 WPC 8 ohms) 1200 watts max (380 WPC 4 ohms) 250 watts at "idle." Tube complement (2) 6H30 driver, (2) 6922 voltage amp. Other Output polarity: Non-inverting. Balanced input pin 2+ (IEC-268). Dimensions 19" (48.3 cm) W x 8.75"(22.2 cm) H x 19.5"(49.5 cm) D. Handles extend 1.5" (3.8 cm) forward. Weight 58.9 lbs. (26.8 kg) Net; 73.8 lbs. (33.6 kg) Shipping Learn More

  • ASR Emitter II Exclusive 4 chassis integrated amplifier

    ASR Emitter II Exclusive 4 chassis integrated amplifier

    ASR Emitter ii Exclusive with gold heatsink option Description: Solid-state, multi-chassis, integrated amplifier with remote control. Maximum output power: 280Wpc into 8 ohms (24.5dBW), 500Wpc into 4 ohms (24dBW), 900Wpc into 2 ohms (23.5dBW), 1400Wpc into 1 ohm (22.4dBW). Frequency response: 0.2Hz–500kHz, –3dB. Distortion: <0.02%, 50mW to 1dB under maximum RMS output at 1kHz; <0.1%, 20Hz–20kHz. Input impedance: 10k ohms. Input sensitivity (for 150W into 8 ohms): level "61," 2.0V; level "76," 400mV. Voltage Gain: up to 28dB in position 1, up to 43dB in position 2, depending on volume setting. Signal/Noise Ratio: >90dB ref. 1W/8 ohms. Dimensions: Amplifier: 22.4" (570mm) W by 9.1" (230mm) H by 17.3" (440mm) D. Weight: 103 lbs (47kg). Two power supplies (each): 16.9" (430mm) W by 5.9" (150mm) H by 15.6" (400mm) D. Weight: 70.6 lbs (32kg). Battery pack: 16.9" (430mm) W by 5.9" (150mm) H by 15.6" (400mm) D. Weight: 57.3 lbs (26kg). original four boxes with packing, just recapped and ready to go (not the 56 filter caps, no need to change those) six month warranty THIS SOUNDS SPECTACULAR! Learn More

  • AnthemMCA2MKII


    I can convert voltage if needed.. 200 watts/channel high end sound owners manual: http://archive.anthemav.com/oldsitev1/pdf/mcalit.pdf Learn More

  • Adcom GFA5500

    Adcom GFA5500

    Adcom GFA5500, very good cosmetics. bench tested Learn More

  • Adcom GFA5300

    Adcom GFA5300

    Adcom GFA5300 bench tested, works properly Learn More

  • Adcom GFA-555

    Adcom GFA-555

    Adcom GFA-555 just upgraded Learn More

  • Acurus A250

    Acurus A250

    Acurus A250 I used to sell these new back in the day. An excellent , musical entry level amplifier, Much better than an Adcom 555, smooth sounding, not bright Power output: 250 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.06% Input sensitivity: 1.2V Signal to noise ratio: 110dB Learn More

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