New Equipment

The King The King Headphone It began when the Audeze team met the legendary electronics designer Bascom King in his design lab. Bascom has designed acclaimed amplifiers for Infinity, Marantz, Constellation Audio, PS Audio and others. He demoed a prototype headphone amplifier that so impressed everyone that they signed Bascom on the spot to develop the new headphone amplifier exclusively for Audeze. The King’s circuitry is very different from the typical complementary output topology; it uses the same polarity N-channel MOSFET outputs as these are more alike and complementary than N- and P-channel MOSFETs. Just before the output stage is a two-stage differential amplifier using a dual-triode tube for the input stage followed by a P-channel MOSFET differential driver stage. The driver stage supplies complementary drive to the N-channel output devices. Overall negative feedback is taken back to the input stage to include the input triode in the feedback loop. The circuit is DC-coupled from input to output and a servo control circuit keeps the output DC offset to within millivolts of zero. The overall symmetry of the circuitry eliminates most even-order harmonic distortion. The result is a low impedance, low distortion, wide frequency response output with immense musical transparency, a real emotional experience. Learn More

The LCD-4, Audeze’s new reference headphone, is the result of dedicated research and development and advancements in materials science. It features our amazingly thin nano-grade diaphragms and unique Double Fluxor magnet arrays for the most powerful magnetic flux density in existence, an incredible 1.5 Tesla! It also features a new comfortable suspension-type carbon fiber and leather headband and delivers breathtaking high resolution sound, imaging and transparency, with exciting dynamics. It sounds incredibly open in the midrange and treble, and coupled with Audeze’s powerful bass removes the boundaries between artist and listener. It outperforms any other in its class like electrostatics or dynamic driver headphones. The LCD-4 is the most advanced planar magnetic technology to date. Learn More

CAV45-S2 Stereo Control Amplifier The control amplifier represents a distinctly different approach to high-performance home audio. In many ways it is the ultimate embodiment of our design philosophy that simple circuits yield best results. Similar in function to an integrated amplifier, a control amplifier offers the significant potential improvement of eliminating extra connections, external cabling, and inter-device connection considerations that limit conventional audio systems. But the control amplifier also eliminates an entire stage of audio circuitry (the line stage) and its inherent colorations. The CAV45-S2 is a vacuum-tube control amplifier. Its audio circuit is similar to our highly regarded Classic Sixty power amplifier, with triode voltage gain and phase inverter stages and an output stage comprised of a pair of EL34s per channel operated in ultralinear mode to produce 45 watts per channel. The use of carefully selected, high-quality parts enables the CAV45-S2 to properly exploit the dramatic potential of a control amplifier to enhance the immediacy of musical experience afforded by fine recordings. All resistors in the audio circuits and related power supplies are precision metal film types. With the exception of the large power supply reservoir capacitors (which are specially chosen electrolytic capacitors bypassed by polypropylenes), all capacitors in these circuits use polystyrene and polypropylene dielectrics. This execution of minimalist circuitry with quality parts result in a control amplifier that is notable for its resolution of subtle dynamic shadings and palpable imaging, for a natural harmonic tonality, and extraordinary resolution. The CAV45-S2 features larger value electrolytic capacitors in the unregulated power supply, yielding improved bass response and lower noise floor. The binding posts are billet brass, rhodium over silver plate, with billet brass, gold plate nut. Learn More

ET6/ET6SE Vacuum Tube Preamplifiers At conrad-johnson, development of our flagship products has traditionally led to important enhancements of our entry-level offerings. The ET6 preamplifier is a case in point. The ET6 line-stage is a “baby” version of our flagship line-stage preamplifier, the GAT. The family resemblance is much more than skin deep. With voltage gain provided by a triode vacuum-tube, the zero-feedback line-stage circuit of the ET6, along with its DC voltage regulators, closely replicates the circuit of the GAT. Finally, and especially noteworthy, the ET6 features a relay operated discrete stepped attenuator level-control circuit of the type found in the GAT and ET7, absent only the balance control function found in those more costly models. Functionally, the ET6 provides highly flexible I/O facilities with six separate line-level inputs (including one “tape” loop), plus a theater loop that facilitates use in a home theater system. In addition, the ET6 offers the convenience of infrared remote control of all functions. Learn More

MD 306 is another serious solution for the 2-channel audio enthusiast. With the same proven Hybrid-Acoustic circuitry found in all of our integrated amplifiers and receivers, the MD 306 is built on the backbone of our MD 209's pre-amp and amplifier sections, boasting 125 Watts of output power with a flexible feature set. It is a hybrid integrated amplifer that can perform in a wide array of listening environments, and like all Magnum Dynalab products, it is built to withstand the most demanding operation over the long haul. • HYBRID-ACOUSTIC CIRCUITRYTM. This unique and proprietary circuitry combines the musicality, soundstaging and audio realism of JJ 6922 CryoTubes with the crisp detail, harmonics and long-life of a solid state device. • INTEGRATE ANY DIGITAL SOURCE COMPONENT. The MD-306 2 channel audio receiver has an optional Digital-to-Analog converter, featuring our full-time upconverting and oversampling Burr-Brown design, 3 digital inputs (including USB), and seamless operation through the remote or faceplate. • FUNCTIONAL AND SIMPLE OPERATION. With a bright digital display, and intuitive remote, the MD 306 is beautifully simple, and similarly easy-to-operate. • FLEXIBLE INPUTS/OUTPUTS. With 1 line-level pre-amp variable output, 2 Balanced (XLR) inputs and 3 single-ended analog inputs (including a Surround Sound Processor input for integration with multi-channel applications), PLUS 3 digital inputs (including USB, optical and RCA), the MD-306 can act as the backbone for any home audio/video system. • AUDIO PROTECTION BOARD. The MD-306 comes equipped with a proprietary circuit to run regular diagnostics on the device, ensuring safe and efficient operation of the unit at all times and safeguarding against any unwanted current that may harm your speaker. • MAGNUM DYNALAB BUILD QUALITY. Solid footings, 24K gold plated .093" thick circuit boards, hefty internal heat-syncs and a burly chassis are all characteristics of our unrelenting commitment to quality. The MD-306 comes with the MX-350 remote, our latest universally programmable remote control featuring soft touch buttons and a crisp digital display fully customizable to its users' preferences. Learn More

Magnum Dynalab MD 107T/107TR ANALOG FM TUNER Learn More

MD 807 S With simplified styling, the MD 807 features a beefy audio stage, a top-end DAC design not often found in a source device. It is yet another product that is helping Magnum Dynalab put Internet radio and connected digital music collections on the same plane as more conventional sources in home audio. Features •Multiple Audio Sources: Access to over 20,000 Internet Radio stations and podcasts via on board WiFi antenna or LAN. Access to terrestrial FM, DAB/DAB+ (where available), and locally connected music collections in a variety of formats (including AACs, Real, MP3s, FLAC and WMA). •Intuitive & Simple Software: Internet radio stations are neatly organized and searchable by various categories (including country of origin, most popular, favorites). Touch screen displays easy-to-read information on current track's metadata, genre, bit rate, codec and sampling rate. Personal audio collections (attached via local network or USB flash stick/hard drive) are easy to navigate via artist name, album name or genre. When connected, the software automatically connects to the host for the latest firmware updates. •Simple Functionality: With a 1" faceplate, a stately 3.5" touch screen on the faceplate, and a solid aluminum chassis, the MD 807 is a simple and refined piece of audio gear. The functional remote is also upgradeable to our metal encased touch screen remote (standard on the MD 809), and operation is equally easy whether standing beside the unit or from a distance. •Digital-to-Analog Conversion: This full time upconverting DAC is also found in our MD 809, - a proven design that is based on the reality of signal variability in the digital domain. To ensure a consistent, high-quality signal is fed to our audio stage, the full-time upconverting DSP built into the design boosts all incoming signals to 24-bit/192kHz, and when combined with components widely recognized as the best in the field, the resultant output is a perfectly clocked, incredibly accurate signal that is virtually jitter-free. •Audio Output Stage: Nearly identical to the audio stage found in our MD 107T FM Tuner, and, the MD 807 is a full triode design, with 2 cryo-treated 6922 vacuum tubes at its core. Our analog output stages have been refined over our 25+ years in the FM tuner business, and are, without a doubt, the chief contributor to our product's legendary sound quality. •World Leading Components: Mundorf Supreme and Audiocap capacitors, Kimber Hyperpure wiring throughout the unit, golf-plated tube sockets, WBT connectors and other no-compromise components all combine to deliver incredible transparency and detailed high frequency response. •Power Supply & Ground Plane: Like all Magnum Dynalab products, particular attention has been paid to the grounding plane. As in many of our devices, a unique grounding loop built into the device eliminates the inherent troubles with chassis grounding, and the result is a signal free of impurities that originate with the ground plane. Add a toroidal power supply, and Beldon silver coated wire to connect the independent boards in the unit, and the result is sound free of ripple or transient noises - only the pure original signal. •Flexible Outputs: With RCA and balanced analog outputs, the MD 807 will seamlessly integrate into any home audio system. It also features RCA and optical digital outputs. •Options: TRACC Audio Stage Learn More

Specifications Cartridge Type Fixed Coil Stylus Type O.C. Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature: OCL (Optimized Contour Contact Line) SELECTED Cantilever: Ruby Recommended tracking force: 1.8 to 2.2 grams Effective tip mass: 0.30 mg Compliance: 10 μm/mN (low compliance) Frequency response: 20-20,000 Hz ± 1.0 dB Channel Separation (stereo only): 1000 Hz >34 dB, 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output voltage (Mezzo): 1.1 mV Cartridge weight: 10.25 grams Loading (Mezzo): ≥ 1.5 kΩ Learn More

Krell Illusion II, like new condition, complete with box and all accessories retail 1/22 is $9400 Analog Inputs 2 pr. balanced via XLR connectors 3 pr. singleended via RCA connectors Digital Inputs 1 AES/EBU via XLR connector 2 coaxial via RCA connectors 2 optical via Toslink connectors Main outputs 1 balanced via XLR connectors 1 pr. single]ended via RCA connectors Download the "Quick Set-up Guide" Headphone output 1 via 3-conductor 6.35 mm (1/4 inch) connector Control inputs 1 RS-232 input via a 9-pin D-subminiature connector 1 remote IR detector input via a 3-conductor 3.5 mm connector 1 12 VDC trigger input via 2-conductor 3.5 mm connector Control outputs 2 individually programmable 12 VDC trigger outputs via 2-conductor 3.5mm connectors (30 mA maximum per output) Learn More

Tube-Solid State Receiver with Built-in DAC Building upon a pedigree in pure analog circuitry, Magnum Dynalab's two-channel MD-209 receiver offers uncompromising performance. Loaded with features while boasting premium build quality and audio engineering, the MD-209 is a future-ready anchor for a high-performance home audio system. With one line-level pre-amp output, two balanced (XLR) inputs, and three single-ended analog inputs (including a surround sound processor input for integration with multi-channel applications), plus three digital inputs (including USB), the MD-209 has all the flexibility you need. Hybrid-Acoustic Technology The MD-209's unique and proprietary Hybrid-Acoustic circuitry combines the musicality, soundstaging, and audio realism of the company's 6922 CryoTubes with the crisp detail, harmonics, and long life of a solid state device. The simple and efficient treatment of the analog signal throughout the MD-209 is, without a doubt, the hallmark of this marvelously musical component. Magnum Dynalab's Director of Design Zdenko Zivkovic has worked tirelessly to develop the Hybrid-Acoustic design platform as the backbone of this receiver. This distinctive circuit path delivers the unique combination of long tube life (expected to be greater than seven years under normal use) with high-current output in a design that generates one-half of its gain from the triode stage. The result is reference-quality audio realism and soundstaging of a full triode design combined with the sharp detail and harmonics characterized by the very best solid-state devices. Learn More

For vinyl enthusiasts, the ET6 is optionally available with a vacuum-tube phono stage that borrows its zero-feedback audio circuit from our reference quality TEA1-S3 phono stage. Customers can choose between high gain (recommended for cartridges with a rated output of 1.0 mV or less) and low gain (recommended for cartridges with rated output greater than 1.0 mV) versions of the phono stage. Input resistive loading is switch selectable over a range from 47 kOhms down to 200 Ohms. The ET6 phono stage is built to the same high quality standard found in the ET6 line-stage. ET6 Optional Phono Stage•High Gain Version 54dB •Low Gain Version 40dB •RIAA Equalization: +/- .25 db 20Hz to 20kHz •Hum and Noise: -80dB relative to 10mV input •Phase: phase correct •Tube Compliment: High Gain Version 3x 12AX7 Low Gain Version 2x 12AX7, 1x 12AU7 Learn More

This is for the Conrad Johnson Classic 62SE Vacuum Tube Stereo Power Amplifier. This amplifier is rated at 60 watts per channel and has far more power than just its rating. it deploys the great CJD Teflon Capacitors and Vischay Resistors that deliver a magical sound unmatched in its price range. Its highs are extended yet silky. Its bass is surprising, and its imaging is to behold. This ranks with the many great CJ Tube amps. Specifications: Classic Sixty-Two SE (CL62) Power: 60 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 16 ohm loads) Sensitivity: CL62 & 62SE: 0.6 V rms to rated power CL120 & 120SE: 0.9V rms to rated power Frequency Response (at 10 Watts): 20 Hz to 20 kHz, +/- .3 dB Hum and Noise: 96 dB below rated power Phase: phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 4 x KT120 Dimensions: 13.375D x 17.375W x 6.625H inches Weight: 44 lb. net, 54lbs Shipping Weight Learn More

Ensemble Primadonna Gold inquire for freight options Learn More

Future-Ready and Loaded with Features Drawing upon its pedigree in pure analog circuitry, Magnum Dynalab introduces its most uncompromising two-channel integrated amplifier. It uses the same Hybrid-Acoustic circuitry found in Magnum Dynalab's MD-209 Audio Receiver, including proprietary 6922 Cryovalve tubes. Loaded with features while boasting premium build quality and audio engineering, the MD-309 is a future-ready centerpiece for a high-performance home audio system. Hybrid-Acoustic Technology The MD-309's unique and proprietary Hybrid-Acoustic circuitry combines the musicality, soundstaging, and audio realism of the company's 6922 CryoTubes with the crisp detail, harmonics, and long life of a solid state device. The simple and efficient treatment of the analog signal throughout the MD-209 is, without a doubt, the hallmark of this marvelously musical component. Magnum Dynalab's Director of Design Zdenko Zivkovic has worked tirelessly to develop the Hybrid-Acoustic design platform as the backbone of this amplifier. This distinctive circuit path delivers the unique combination of long tube life (expected to be greater than seven years under normal use), with high-current output (225 watts into 8 ohms and 450 watts into 4 ohms) in a design that generates half of its gain from the triode stage. The result is reference-quality audio realism and soundstaging of a full triode design combined with the sharp detail and harmonics characterized by the very best solid-state devices. Sophisticated Solid State Output Stage This unique combination of long tube-life and high current output is achieved not by the use of output transformers, which add weight, limit frequency response, and ultimately, harm the harmonics of the resultant signal. Instead, the MD-309 is equipped with an output stage that generates power through the use of 40 Sanken output transistors (10 per phase per channel). These amplify current, rather than voltage, taking critical stress off the 6922 Cryovalve tubes and eliminating the need for traditional output tubes. When combined with a collection of world-leading components -- including Mundorf Supreme capacitors in the tube gain stage, Kimber Hyper-Pure cables throughout the device, and a unique audio stage that delivers the signal fully balanced before the output stage -- the result is a perfect reproduction of the original dynamic signal from the source component. Learn More

ET6/ET6SE Vacuum Tube Preamplifiers At conrad-johnson, development of our flagship products has traditionally led to important enhancements of our entry-level offerings. The ET6 preamplifier is a case in point. The ET6 line-stage is a “baby” version of our flagship line-stage preamplifier, the GAT. The family resemblance is much more than skin deep. With voltage gain provided by a triode vacuum-tube, the zero-feedback line-stage circuit of the ET6, along with its DC voltage regulators, closely replicates the circuit of the GAT. Finally, and especially noteworthy, the ET6 features a relay operated discrete stepped attenuator level-control circuit of the type found in the GAT and ET7, absent only the balance control function found in those more costly models. Functionally, the ET6 provides highly flexible I/O facilities with six separate line-level inputs (including one “tape” loop), plus a theater loop that facilitates use in a home theater system. In addition, the ET6 offers the convenience of infrared remote control of all functions. For vinyl enthusiasts, the ET6 is optionally available with a vacuum-tube phono stage that borrows its zero-feedback audio circuit from our reference quality TEA1-S3 phono stage. Customers can choose between high gain (recommended for cartridges with a rated output of 1.0 mV or less) and low gain (recommended for cartridges with rated output greater than 1.0 mV) versions of the phono stage. Input resistive loading is switch selectable over a range from 47 kOhms down to 200 Ohms. The ET6 phono stage is built to the same high quality standard found in the ET6 line-stage. Premium quality component parts are specified to optimize performance and to sustain that performance for years to come. Precision, metal-film resistors yield low noise performance for greatest clarity. Polypropylene capacitors, used exclusively in the audio circuits and the regulated plate voltage supplies, offer extraordinary temporal accuracy. In fact, the ET6 is built to standards that meet or exceed those of many companies’ “flagship” offerings. Those who wish to take the performance to yet a higher level will be thrilled by the availability of an upgraded “SE” version. The ET6SE boasts CJD Teflon capacitors and metal foil resistors in critical circuit applications. It would be fair to say that the only thing “entry-level” about the ET6 is its price. Arrange to audition one at a conrad-johnson dealer to find out for yourself – you’ll be surprised at just how affordable true high-end performance can be. Learn More

Specifications Cartridge Type Fixed Coil Stylus Type Contact Line O.C. Contact Line Output Medium Output Voltage 1.1 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature Selected diamond shapes: CL or Optimized (OCL) Cantilever: Hand formed/treated selected Cactus "Spine" Recommended tracking force: 1.8 to 2.2 Grams Effective tip mass: 0.30 mg Compliance: 10μm/mN (low compliance) (LT), 12μm/mN vertical, 7 μm/mN horizontal Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >36 dB (LT: > 34dB), 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output voltage (Helios): 1.1 mV Cartridge weight: 10.25 grams Loading (Helios): ≥ 1.5 kΩ Learn More

SoundSmith Hyperion MK II Please phone (888)850-4366 for pricing. Specifications Cartridge Type Fixed Coil Stylus Type Contact Line O.C. Contact Line Output Low Output Voltage 0.4 mV Available As Dual Coil Mono Yes Additional Specifications Stylus: Contact Line Nude, 0.100mm SQ Radius of curvature Selected Diamond shapes: CL or Optimized (OCL) Cantilever: Hand formed/treated selected Cactus "Spine" Recommended tracking force: 1.8 to 2.2 grams Effective tip mass: 0.30 mg Compliance: 10 μm/mN (low compliance) (LT) | 12 μm/mN vertical | 7 μm/mN horizontal Frequency response: 20-20,000 Hz ± 1.0 dB Channel separation (stereo only): 1000 Hz >36 dB (LT: > 34dB), 50-15,000 >25 dB Channel difference: <0.5 dB (Stereo) <1.0 dB (Mono) Output Voltage: ≥0.4 mV DC Resistance (DCR): 10-11 Ω each channel Coil: 2.75 mH each channel Suggested Preamp Gain: 58-64 dB Soundsmith Recommends: MCP2 Variable Loading Preamp Cartridge weight: 10.25 grams Loading: ≥ 470 Ω Learn More

MD 809 Equipped with access to terrestrial FM broadcasts and DAB/DAB+ (where available), the MD 809's functionality really shines when accessing over 20,000 Internet radio stations via the on-board wi-fi antenna or connected LAN line. Features •Multiple Audio Sources: Access to over 20,000 Internet Radio stations and podcasts via on board WiFi antenna or LAN. Access to terrestrial FM, DAB/DAB+ (where available), and locally connected music collections in a variety of formats (including AACs, Real, MP3s, FLAC and WMA). •Intuitive & Simple Software: Internet radio stations are neatly organized and searchable by various categories (including country of origin, most popular, favorites). Touch screen displays easy-to-read information on current track's metadata, genre, bit rate, codec and sampling rate. Personal audio collections (attached via local network or USB flash stick/hard drive) are easy to navigate via artist name, album name or genre. When connected, the software automatically connects to the host for the latest firmware updates. •Functional Meets Fashion: With a 1" thick faceplate, a beautiful 5.7" color touch screen on the faceplate, and a burly chassis, the MD 809 is as striking to look at as it is to listen to. To ensure safety during shipping, we will deliver your MD 809 in a custom made, re-enforced road case. •Digital-to-Analog Conversion: This full time upconverting DAC is also found in our MD 109 and MD 309 - a proven design that is based on the reality of signal variability in the digital domain. To ensure a consistent, high-quality signal is fed to our audio stage, the full-time upconverting DAC built into the design boosts all incoming signals to 24-bit/192kHz, and when combined with components widely recognized as the best in the field, the resultant output is a perfectly clocked, incredibly accurate signal that is virtually jitter-free. •Unparalleled Audio Stage: We have poured only our very best into the MD 809's audio stage. Featuring the same TRACC audio technology as found in our MD 109, we use cryo-treated 6922 vacuum tubes, Mundorf Gold bypass capacitors, Vibrapod feet and a collection of other world-leading components. Most important is our direct drive circuit topology, with no capacitors after the gain stage of the tubes, which results in incredibly low impedance (200 ohms) across the frequency range (0.2Hz - 200kHz). The result is an output signal that is virtually identical to that which was received from the source. •Power Supply & Ground Plane: The combination of a clean supply of power with special attention to the grounding plane is part of the MD 809's hallmark. A unique grounding loop built into the device eliminates the inherent troubles with chassis grounding, and as a result all sources of impurities that originate with the ground plane are eliminated. Add the discrete toroidal power supplies for the DAC and audio stage, and Beldon silver coated wire to connect the independent boards in the unit, and the result is a signal that is free of any ripple or transient noises - leaving only the pure original signal. •Flexible Outputs: With RCA and balanced analog outputs, the MD 809 will seamlessly integrate into any home audio system. RCA and optical digital outputs are also standard on the unit. Learn More

Krell Solo 375 XD Price is per mono amplifier Mono Power Amplifier 375 Watt Amplifier Featuring Krell iBias Technology Krell iBias Class A amplifiers are the first to deliver the rich musicality of Class A amplifiers, the uncompromised dynamics of classic Krell amplifiers, and the efficiency and low power consumption of Class G and H amplifiers Circuitry Highlights Krell iBias Class A technology allows our latest amplifiers to run in full Class A mode to full power while minimizing heat generation. All signal gain is realized in the current domain using discrete, proprietary, multiple-output current mirrors with extraordinary open loop linearity. There are no generic integrated circuits or op amps used anywhere. Current mirrors in the final gain stages use a new output power device that operates at a 73% higher voltage, delivers almost 10% more current, and offers 120 watts of additional power handling capability as compared to previous devices. The signal path is fully complementary and balanced . Independent complementary pre driver and driver stages for the positive and negative output transistors make the output stages extremely fast and linear. Krell amplifiers are fully direct-coupled, with no capacitors in the audio signal path. This design gives the Krell amplifiers lower internal impedance, which allows firmer, more precise control of your speakers. Krell CAST Circuitry delivers the purest signal when connected to Krell CAST equipped preamplifiers. Learn More

DUAL MATRIX EYE TUBE TUNING 3 ULTRA SENSITIVE BANDWIDTH SETTINGS LOW NOISE DUAL GATE MOSFETS CUSTOM TORROIDAL TRANSFORMERS 6 STAGE TUNING FRONT END ULTRA-LINEAR POWER SUPPLY 2 ANALOG ANTENNA INPUTS HAND MATCHED RESONATORS DAC UPGRADE WITH XM MODULE Learn More

ART150 , light use, like new with packing $22000 retail We are CJ dealers In celebration of our 40th anniversary, conrad-johnson has introduced two new ART amplifiers: the ART150 stereo amplifier and ART300 mono-block amplifier. These amplifiers are designed for our own reference use as well as for industry professionals and dedicated audiophiles. As with previous anniversary products, these amplifiers will be offered as limited editions, with just 250 units of the ART150 and 125 pairs of the ART300 to be sold through selected conrad-johnson dealers and distributors. https://conradjohnson.com/wp-content/uploads/2018/01/conrad-johnson-ART150-amplifier-owners-manual-rev0122_2018.pdf Learn More

This is the awesome Conrad Johnson Classic 120SE Stereo Power Amplifier. At 125 watts per channel it can drive almost any speaker load available. This unit contains the CJD Teflon Capacitors and Vischay Resistors. This is the best sounding CJ Tube amp to date except for the ART150. It is loaded with detail, has great dynamic range, super tonal balance, a rock solid image, and is very quiet. Specifications: Classic One-Twenty SE (CL120): Power: CL62 & 62SE: 60 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 16 ohm loads) 125 Watts per channel from 30 Hz to 15 KHz at no more than 1.5 % THD, both channels driven into 4 Ohms (also available connected for 8 or 16 Ohm loads) S Sensitivity: 120SE: 0.9V rms to rated power Frequency Response (at 10 Watts): 20 Hz to 20 kHz, +/- .3 dB Hum and Noise: 96 dB below rated power Phase phase correct Input Impedance: 100 kOhms Tube Complement: 3 x 6922, 8 x KT120 Dimensions: 18.88D x 19W x 7.63H inches Weight: 75 lb. net, 104 lbs shipping weigh Learn More

Dual, keyed automatic gain control (AGC) – monitors and maintains program signal level and clarity, along with providing a dramatic reduction in interference from strong, local stations BW 1/ BW 2 bandwidth control – switch to effectively control adjacent channel interference Mute circuit – noise-activated with manual defeat switch Auto blend RF circuit – automatically monitors and varies stereo separation insuring optimal “stereo quieting” during your listening sessions Stereo/mono mode – user switchable Digital frequency display – independent frequency counter derives input from tuner's local oscillator section and displays in soft, amber 0.5” LED numerals Learn More

TEA1 Series 3 Phono Preamplifier The TEA1 Series 3 triode equalization amplifier is a stand-alone vacuum-tube phono stage designed to satisfy the expectations of the most demanding music lovers. The TEA1s3 features a zero loop feedback circuit with passive RIAA equalization. It offers two phono inputs, one with switch selectable resistive and capacitive loading allowing the user to fine-tune performance to the chosen phono cartridge. The other input is fitted with premium wide-bandwidth audio transformers installed on the PHONO 1 input to provide the higher gain and very low noise required by low output moving coil cartridges. Designed to precisely track the prescribed RIAA equalization curve, the TEA-1s3 assures absolute tonal accuracy. The low-gain audio circuit of the TEA-1s3 is comprised of two cascaded single-ended triode amplifiers. The circuit is a zero-feedback design, to eliminate the temporal inaccuracies that negative feedback introduces. RIAA equalization is established by a passive network between the two gain stages. Careful implementation of this fundamentally simple circuit results in extremely wide bandwidth and low distortion, without resorting to negative feedback. The ideal dc power supply circuit is simply a zero impedance path to ground. Any deviation from this ideal is fully reflected in the audio circuits. Thus the power supplies are as important to audio performance as the audio circuits and must be accorded equal attention in design. In the TEA-1s3, each stage has its own discrete regulated DC power supply. These power supplies have been carefully designed for minimum impedance, even at the highest audio frequencies, to prevent the power supplies from degrading music reproduction. The TEA1s3 is optionally available as the TEA1s3b with the step-up transformers deleted. This version of the TEA1s3 has two direct inputs, one with variable loading and one with fixed loading. The full potential of any circuit design can only be realized if executed with the highest quality parts. The audio circuits of the TEA-1s3 use only conrad-johnson’s proprietary Teflon capacitors. In the power supplies, all capacitors are polypropylene or Teflon – there are no electrolytic capacitors anywhere in the audio circuits or their dc power supplies. The audio circuits and related power supplies both use high-precision laser trimmed metal-foil resistors, designed for ultra-low inductance. All parts in the RIAA compensation network are 1% tolerance, to assure precise tracking of the RIAA curve. Input and output connectors are gold-plated, machined oxygen free copper. Even the hookup wiring has been carefully selected for optimal audio performance. The casework features black anodized aluminum, brushed-polished, sides and ventilated top cover. Thoughtful engineering, specification of the finest available component parts, and painstaking care taken in production make the TEA-1s3 a phono equalization preamplifier without peer in music reproduction. We invite you to arrange an audition with your conrad-johnson dealer to confirm for yourself the extraordinary musical performance of these products. Learn More

AVAILABLE PLEASE PHONE TO ORDER Learn More

Krell Solo 575 XD Mono Power Amplifier 575 Watt Amplifier Featuring Krell iBias Technology Circuitry Highlights Krell iBias Class A technology allows our latest amplifiers to run in full Class A mode to full power while minimizing heat generation. All signal gain is realized in the current domain using discrete, proprietary, multiple-output current mirrors with extraordinary open loop linearity. There are no generic integrated circuits or op amps used anywhere. Current mirrors in the final gain stages use a new output power device that operates at a 73% higher voltage, delivers almost 10% more current, and offers 120 watts of additional power handling capability as compared to previous devices. The signal path is fully complementary and balanced . Independent complementary pre driver and driver stages for the positive and negative output transistors make the output stages extremely fast and linear. Krell amplifiers are fully direct-coupled, with no capacitors in the audio signal path. This design gives the Krell amplifiers lower internal impedance, which allows firmer, more precise control of your speakers. Krell CAST Circuitry delivers the purest signal when connected to Krell CAST equipped preamplifiers. Power Supply Highlights Four 750VA toroidal transformers feed amplifier modules that include the audio circuitry, rectifier, and power supply filtering mounted to an individual heat sink. This design shortens the electrical path from the power supply to the output transistors, reducing the overall impedance and allowing the circuit to respond faster and control the speakers better and more accurately. Feature Highlights Network connectivity brings convenience, monitoring, and reporting to end users from any smartphone, tablet, or laptop. Amplifier configuration options include display brightness and timeout. For energy conservation, the amplifiers can be programmed to power off at a preset time of inactivity. Individual channels can be muted and firmware updates can be initiated from the web server. Excessive current, output DC, fan speeds, short circuit, and overheating are all monitored in real time. Messages are displayed on the front panel and reported on the web server interface. Additionally. end users can be sent an email notifying them of any operational anomalies. Learn More

We have a new pair at the factory fully paid for. Inquire at 888850436 The ART 300 Amplifier draws on four decades of research at conrad-johnson into the reproduction of recorded music. The result is a power amplifier with a remarkable ability to recreate the dynamics, textures, tonalities, and ambience of live musical performances. With the ART 300 Amplifier, we believe that you will experience the excitement of discovery in hearing more from your favorite recordings than ever before. At conrad-johnson, we expect our products to be a source of satisfaction and of pride to their owners for many years to come. Accordingly, circuit designs, parts and materials for all conradjohnson products are selected with a view to maintaining optimal performance over the years. Our reputation for producing among the industry's most reliable components is a natural consequence of this engineering approach. Although operation of the ART 300 Amplifier is quite straightforward, please take a few minutes to read this manual for useful information on its installation and operation. Mono amplifiers sold in pairs only. $ 18500 each Learn More

VPI AVENGER, VPI's latest and greatest, many different configurations available, priced from $9500-$30000. We will have on display their $20000 version mid-September at our Miami sihowroom with their newest 3d arm along with VPI's other products. In home delivery and set-up available. Inquire Please phone (888)850-4366 to discuss any of your VPI needs. The Avenger Reference comes with the Magnetic Drive Assembly Platter, 300 rpm motor with sds, HRX Weight and Periphery Ring and special Avenger Feet The VPI Avenger table was originally a project started by Harry over 12 years ago. In the process of the design the project was dropped in mid-production due to excessive demand by HR-X customers which left the design and proto-type chassis to be mothballed. The good news about the abandoned design is Harry instead shifted his focus into starting and completing the VPI Classic Turntable. Shortly after the development of the Prime, and while cleaning out the warehouse in preparation for a dealer training event, the forgotten Avenger and its designs were re-discovered! The working name was the "Tri-Pod Project". Being newly motivated, Harry has finally put in motion the table that will be his master piece! The unique iterations that had been crafted from the original process were completed as Special Editions. The Table: The VPI Avenger chassis is three layers of bonded acrylic/aluminum/acrylic, with damping material between layers, locked in by 3 isolation steel corner posts, 3 bolts, and the massive bearing assembly. The corner posts which hold the tonearms (up to three will fit) have adjustable machined knobs giving the user the ability to easily raise and lower the height to level the table. Fully adjustable armboards are made from 5/8” 6061 aluminum for rigidity and grounding. The table can mount up to three arms, any manufacture's brand, and any length! ​ The Table: The Avenger chassis is three layers of bonded acrylic/aluminum/acrylic with damping material between layers. 3 stainless steel corner posts for both isolation and tonearm mounting and for mechanical grounding (up to 3 will fit). The 300 RPM, 24 pole, AC synchronous motor is capable of high torque and quiet operation. The motor is installed in a separate aluminum and steel machined assembly The Inverted bearing features a hardened stainless steel shaft, 60 Rockwell chrome hardened ball, spinning in a phosphor bronze bushing and sits on a PEEK thrust disc. The belt side load is placed at the center of the spinning bearing for zero teeter-totter effects The 20 pound 6061 aluminum platter has an accuracy of +/- .001” in a 39” circumference The motor pulley has an accuracy of +/- .0005” when leaving factory JMW 12-3D with VPI pure copper wire ​ Specifications: Wow and flutter: <.1% Speed Accuracy: <.03% Rumble: >75db down Overall Dimensions 27" x 23" x 10" Footprint is 23" x 20" 87 lbs packing weight Learn More

The SL1 Legend takes this uncompromising approach further than the product with which Ken literally started the company, the SL1 preamp, now in its Renaissance version. The two use essentially the same circuit, but in the case of the Legend that circuit is taken to the extreme -- it's a cost-no-object implementation. On the outside, the two look nearly identical, but there are a couple of notable differences. Chief among these is the use of dual volume controls in the Legend instead of separate volume and balance. Both preamps use stepped volume controls, essentially a set of resistors for each setting, but the Legend's 46-position shunt volume controls are more costly than those used for the standard SL1, whose fewer positions cause issues for some owners, as the perfect volume setting can sometimes lie between two "clicks." Not with the Legend; 46 positions should be enough for even the pickiest listeners. This item is without phono Learn More

Convergent Audio Technology JL2 Tube Amplifier This is a wonderful, beautiful, sweet-sounding tube amplifier with cojones! I've used in on my Avalon Eidelon Diamonds with great success. It is musical and delicate, rich without being euphonic Learn More

The SL1 Legend takes this uncompromising approach further than the product with which Ken literally started the company, the SL1 preamp, now in its Renaissance version. The two use essentially the same circuit, but in the case of the Legend that circuit is taken to the extreme -- it's a cost-no-object implementation. On the outside, the two look nearly identical, but there are a couple of notable differences. Chief among these is the use of dual volume controls in the Legend instead of separate volume and balance. Both preamps use stepped volume controls, essentially a set of resistors for each setting, but the Legend's 46-position shunt volume controls are more costly than those used for the standard SL1, whose fewer positions cause issues for some owners, as the perfect volume setting can sometimes lie between two "clicks." Not with the Legend; 46 positions should be enough for even the pickiest listeners. Learn More