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solid state two channel preamplifiers

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  • Krell Illusion Inquire for price

    Krell Illusion Inquire for price

    Krell Illusion Circuitry Highlights The Illusion preamplifier is a dual monaural circuit design with the left and right channels afforded their own power supply regulation and individual full chassis sized boards. All signal gain is realized in surface mount topology using proprietary multiple-output current mirrors with nearly 500 times the open loop linearity of other designs 1.5 MHz open loop bandwidth in a zero feedback, balanced, Krell Current Mode design terminating in Krell CAST. A complete Krell system (source, preamp, and amplifier) system, connected using CAST interconnects reduces the number of voltage gain stages to the minimum, one. The resulting noise floor approaches the theoretical limit of technology. Negative feedback is not used anywhere in the preamp, nor is it necessary. Open-loop distortion is typically less than 0.003%. The volume control is realized with a balanced resistor ladder — bandwidth and transient response of the preamp circuitry are virtually unaffected by the volume setting. Power Supply Highlights The Illusion audio circuits receive power from a Krell Current Mode analog power supply housed in its own dedicated chassis. The power supply avoids the common integrated circuit topology used in many preamplifiers and instead mimics the design topology of Krell Evolution e Series amplifiers. The circuitry is completely discrete giving it the ability to respond quickly to current demands and also be unaffected by all but the most severe AC voltage power fluctuations. Oversized for a preamplifier, the power supply features a 290 VA transformer and 41,600µF of capacitance. Locating the power supply in its own chassis presents the ideal configuration for isolating stray electrical and magnetic interference from the critical preamplifier signal path. Capable of delivering current and voltage swing for any musical event, the Illusion power supply is gentle on AC requirements when not in use. A new eco-friendly design reduces standby power draw to 2W. Inputs 2 pr. CAST via 4-pin bayonet connectors 2 pr. balanced via XLR connectors 3 pr. single-ended via RCA connectors Tape input 1 pr. single-ended via RCA connector Main outputs 2 pr. CAST via 4-pin bayonet connectors 1 pr. balanced via XLR connector 1 pr. single-ended via RCA connector Download the "Quick Set-up Guide" Subwoofer outputs 1 pr. balanced via XLR connector 1 pr. single-ended via RCA connector Tape outputs 1 pr. single-ended via RCA connector,buffered Control inputs 1 RS-232 input via a 9-pin D-subminiature connector 1 remote IR detector input via a 3-conductor 3.5 mm connector 1 12 VDC trigger input via 3.5 mm connector 1 preamplifier link via an RJ-45 connector Control outputs 2 individually programmable 12 VDC trigger outputs via 3.5 mm connectors 1 preamplifier link via an RJ-45 connector Power output 1 phone power output (±20 VDC) for KPE via a 9-pin D-subminiature connector Input impedance CAST: 25 Ohms Balanced: 40 k Ohms Single-ended: 20 k Ohms Output impedance CAST: >1 MΩ Balanced: 250Ω Single-ended: 125Ω Gain 12 dB (CAST or balanced output) 6 dB (single-ended output) Volume control Balanced, current-mode, 16-bit, discrete R-2R ladder Input overload Balanced, current-mode, 16-bit, discrete R-2R ladder Output overload CAST: 16 rnA RMS Balanced: 16 V RMS Single-ended: 8 V RMS Frequency response 20 Hz to 20 kHz ± 0.02 dB 0.35 Hz to 720 KHz +0, -3 dB Single-ended: 8 V RMS Total harmonic distortion plus noise Balanced Output: <0.003%, 20 Hz to 20 kHz, 4 V RMS or 4mARMS Signal-to-noise ratio 4 V RMS balanced or 4 mA RMS CAST output Wideband, unweighted: >100 dB "N' weighted: >109 dB Power consumption Standby: 60 W Power on: 65 W Power on, with KPE: 75 W Dimensions Preamplifier only: 17.3 in.W x 3.8 in. H x 18.3 in. D 43.8 em W x 9.7 em H x 46.4 em D Power supply only: 17.3 in. W x 3.8 in. H x 17.7 in. D 43.8 em W x 9.7 em H x 44.8 em D Preamplifier and power supply: 17.3 in. W x 7.6 in. H x 18.3 in. D 43.8 em W x 19.2 em H x 46.4 em D Weight Shipped: 61 lbs., 27.6 kg Preamplifier only: 18 lbs., 8.1 kg Power supply only: 28 lbs., 12.7 kg Learn More

  • Krell Illusion II Preamp and DAC

    Krell Illusion II Preamp and DAC

    Krell Illusion II, like new condition, complete with box and all accessories Analog Inputs 2 pr. balanced via XLR connectors 3 pr. singleended via RCA connectors Digital Inputs 1 AES/EBU via XLR connector 2 coaxial via RCA connectors 2 optical via Toslink connectors Main outputs 1 balanced via XLR connectors 1 pr. single]ended via RCA connectors Download the "Quick Set-up Guide" Headphone output 1 via 3-conductor 6.35 mm (1/4 inch) connector Control inputs 1 RS-232 input via a 9-pin D-subminiature connector 1 remote IR detector input via a 3-conductor 3.5 mm connector 1 12 VDC trigger input via 2-conductor 3.5 mm connector Control outputs 2 individually programmable 12 VDC trigger outputs via 2-conductor 3.5mm connectors (30 mA maximum per output) Learn More

  • PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier  FREE SHIP!

    PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier FREE SHIP!

    PS Audio Stellar Gain Cell DAC Full featured DAC and analog preamplifier Only one silver and two black left as of 4/26/21 he Gain Cell DAC will transform your expectations of what’s possible in an under $2,000 DAC. Based on an improved version of our NuWave DSD, the performance of the Gain Cell DAC is unparalleled in this price category, or anywhere near. The Gain Cell DAC produces a seamless 3D soundstage from even normal CDs. Labored over by its chief architect, Bob Stadtherr, and hand-tuned and voiced by Paul McGowan and Darren Myers, the improvement in sound quality over other DACs is astonishing. The Gain Cell DAC accepts inputs from any digital source including I²S and USB from your computer and outputs directly through Stellar’s analog Gain Cell preamplifier with either single ended (RCA) or balanced (XLR) connections. Used with music server software like JRiver, Bit Perfect, Amarra or Pure Music and an iPhone or Android app, the Gain Cell DAC becomes your entry into the world of high-end digital audio music, both PCM and DSD. Performance is superb at anywhere near the price and there are good reasons why, as you’ll soon discover. In fact, the Gain Cell DAC is one of the best sounding products we have produced in our 24 years of building DACs. Sweet, spacious and effortless, this device will bring the life back into your music and all at the touch of a finger. Digital Lens inside All input signals are taken into the Gain Cell DAC in Native Mode, without Sample Rate Conversion (SRC) and fed directly into a simplified FPGA known as a CPLD (Complex Programmable Logic Device), which discovers sample rate and format, reclocks all incoming data, reduces jitter, waveshapes data output to the DAC chip, and utilizes high speed/low gate count logic to reduce propagation delay for faster throughput. This proprietary technology is called the Digital Lens. The DAC chip itself is the acclaimed 32-bit ESS Sabre Hyperstream architecture, the output of which is passively filtered to reduce transient distortion. the Gain Cell DAC’s power supply includes a large analog transformer, 7 regulators, properly-bypassed high-speed switching diodes, and a massive 15,000 mFd of storage capacitance. The output stage is a unique Class-A configuration, fully balanced and direct coupled hybrid array (utilizing both discrete semiconductors and ICs), with an extended bandwidth of -3dB at 60 kHz feeding directly into Stellar’s Gain Cell. Asynchronous USB for PCM and DSD The Gain Cell DAC features a high-resolution USB path based on the same XMOS technology found in our DirectStream DAC. Asynchronous and capable of 24-bit 192kHz performance for PCM and single or double rate DSD, the Gain Cell DAC USB input sounds every bit as good as the best digital audio is capable of. Using a high-quality USB cable between the Gain Cell DAC and your computer creates an instant media server that can be controlled through any number of handheld devices like an iPad, iPhone or Android using a 3rd party controller program. Your entire music library can be managed by iTunes, JRiver, MConnect, Windows Media Player, Foobar, Pure Music, Bit Perfect, Media Monkey, Audirvana, or Ammara (to name a few) for ease of use. If you have yet to experience the pleasure of scrolling through your entire music library and selecting the next track at the touch of a finger, you’re in for a quite a treat. With the Gain Cell DAC and a USB cable you can stream both PCM and DSD high-resolution audio, using nothing more than your computer and a handheld device to control and play your entire music library. I²S input Gain-Cell-DAC-rear-verticalI²S is the native format of all CD transports and many servers. I²S features a separate clock and data signal from the source. Typically, this clock and data signal are multiplexed together to be transmitted over a single cable in a format known as S/PDIF (Sony Philips Digital Interface), or AES/EBU (Audio Engineering Society/European Broadcast Union). Once received in multiplexed form, the DAC input must untangle the clock and data and once again separate them. I²S solves the problems associated with unraveling data of S/PDIF and AES/EBU formats. I²S outputs are sent via an HDMI cable and sources with I²S outputs can be purchased from PS Audio as well as other manufacturers. The Gain Cell DACs I²S inputs are also compatible with our DirectStream Transport. What this means is important. The DirectStream Transport is one of only a very few players to output pure DSD from the locked SACD layer of SACD discs. Only PS Audio DACs, such as DirectStream and DirectStream Junior—and now Stellar—are authorized to play the pure DSD layer in all of its glory. Choice of digital filters The Stellar Gain Cell DAC offers the choice of three digital filters for users to select from. Each digital filter has a different sonic character and the choice of filters offers an excellent means of improving system synergy. No filter choice is wrong or right. Instead, each filter can be selected and auditioned by the user to more perfectly match their chosen collection of the amplifier, source, and loudspeaker, as well as personal tastes and biases. Users can relax and use the supplied remote control to audition each of the three filter choices for best audio quality matching the system it is played on. Should users upgrade their amplifier, speaker or sources at some point, Stellar is there to help maximize performance. Active vs. passive filtering Once the digital audio data have been processed through the Gain Cell DAC’s ESS Hyperstream 32 bit DAC, it’s time to turn them into music and this is the job of the analog filter and output stage. Most DACs use an active filtering system to clean up the output of the internal DAC but this can add a harsh, bright sound to the music. In the Gain Cell DAC, we use all passive analog filtering giving our output a sweet, open sound unencumbered with harsh digital artifacts. The challenge of the Gain Cell DAC’s design The real challenge designing the Gain Cell DAC was making sure both PCM and DSD were handled in a way that sacrificed as little as possible through the playback process. Entry level DACs that accept both PCM and DSD typically favor one format over another when it comes to voicing the device. The two designers of the Gain Cell DAC, chief engineer Bob Stadtherr and CEO Paul McGowan, worked together for nearly a year making decisions on power supplies, overall architecture, developing a custom, simplified FPGA for the input stage and voicing the output stage in a balanced and musical manner that honors both PCM and DSD formats. The first choice was easy. Both Stadtherr and McGowan chose the ESS line of Hyperstream 32 architectures for the chip’s unrivaled sound quality. Important to both designers would be bringing as much musical detail as possible out of Red Book CDs, and reducing the sonic gap between 44.1kHz/16 bit performance and high-resolution PCM and DSD. Lessons learned from years of building DACs aided design decisions critical to the mission of few musical compromises. We believe that one audition of a simple CD, played through the Gain Cell DAC, will open your eyes to the magic these design efforts have brought. And once you hear what the Gain Cell DAC does on ordinary CDs, we can’t wait for you to hear what the Gain Cell DAC can do for higher resolution PCM and DSD. Learn More

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